A few people were understandably intrigued about yesterday’s rather cryptic blog snippet, “men in truck with sheep (dowry)”. So here is the story.
The road between Casablanca (on the coast) and Chefchouen (to the north, in the Rif mountains) is pretty cleanly bisected by the town of Souk el Arba, which, were it relocated about 5000 miles to the west, would be called “Tijuana”. Indeed, the two towns are nearly indistinguishable: wide dusty streets lined with sketchy-looking pharmacies and auto repair garages, thronged with tourists and pushcart vendors and lined with trash; open air restaurants on every corner; and the din of every vehicle known to man, from tour buses to donkey carts. (The third photo from the bottom in the last blog post is a donkey cart on the middle of the intersection.)
Oh, and on the subject of its Tijuana-ness, I should also mention that this part of the country has a heavy Spanish influence. Remember my description of the female hajji wearing a djellaba and what seemed to be a sombrero? That was a sombrero: they are a thing here. (In fact, if you wear a djellaba and a sombrero whilst wearing Dutch wooden shoes and eating your food with chopsticks, you will achieve Peak Multiculturalism.)
Anyway, amidst these lively and seedy surroundings we had an excellent meal consisting of the local fresh oven-warm flatbread — somewhat like pita but airier and with a crunchier crust — been kebabs cooked over an open air charcoal grill, and vegetable tagine, a Moroccan specialty that is sort of a stew.
We left Souk el Arba, driving past wilted fields and salt evaporation ponds, and drove for about another hour before taking a break at a pleasant café. By this point the terrain was starting to change, as we approached the mountains. The road became uphill and windier and the surroundings greener. It was still punctuated by low villages full of seemingly unfinished houses with rebar sticking out everywhere, pods of young men milling around among farmers in horse and donkey carts. Every such village is overlooked by an Andalusian-style mosque (meaning that the minaret is square instead of round) that is always the tallest structure. The minarets are usually painted in soothing Mediterranean colors such as white and aqua.
It was shortly after we left the café that Steve asked the van driver to back up: he had spotted (and heard) a flatbed truck full of musicians and wanted to get some photos. And indeed, we thus found ourselves among the preliminaries of a wedding: a flatbed trailer being towed by a farm tractor, the tractor occupied by a driver, a two other men, one of whom was a dour-looking 30-ish man in a Western suit, pretty clear the groom and not obviously happy about it. (“But Mom, she can’t cook and she’s only got one leg!” “Shut up Ahmed! You’re 30 years old and you’re lucky she has *any* legs!”)
The groom may not have been altogether on board, but the musicians on the flatbed were having a grand old time. They were lounging on the flatbed along with two sheep, which we assume were the dowry. (At least, we hope they were the dowry.) They were laughing and blaring away for all they were worth on some shrill oboe-like instruments, and were more than happy for us to take their pictures (hence the close up photo of the guy blowing his instrument right at me). I even climbed up onto the tailgate to get the shot of the guys with the sheep. Everyone was having a grand time until Grumpy Groom climbed down off the tractor to yell at us and clearly indicate that we were not to take pictures. So we left, and raucous party faded into the distance.
And that is the story of our encounter with the dowry sheep and the musicians. Go to bed now, children.