We flew via Cessna from Kulala International Airport — not really, I mean the dirt landing strip I showed you yesterday — back through the desert for the 45 minute hop to Walvis Bay. A century or so ago, Walvis Bay was the happening place, the radiant of German colonial expansion into Namibia. It was the whaling and commerce center. Today it is still the major shipping center, an industrial port for the export of salt, copper, and uranium; there is a recreational beach and a lot of fishing, but otherwise from our limited perspective it had little to recommend it outside of our restaurant lunch on the water.
With one exception: the flamingos of Walvis Bay Lagoon. There are hundreds of them, pallid pink on their bodies but the flaming color of the inside of a blood orange on the tops of their wings.
Those guys in the top image who look like they’re recreating the cover of the Abbey Road Beatles album are in fact doing a Michael Jackson imitation. Seriously, they don’t just stand there but rather work their feet back and forth in what looks for all the world like MJ’s moonwalk, the objective being to stir up the silt and thus scatter the small fish and shrimp that are their preferred food.
Since we didn’t have any significant amounts of copper or uranium among us, we left immediately after lunch, driving the half hour north to the resort town of Swakopmund. Swakop draws a lot of German tourists — most of the restaurants seem to be German — and has a long and inglorious history as a German enclave; it is only since independence in 1990 that the all-white, all-German private high school was repurposed into an integrated public school, and the locals — including our driver Joe — still bear a great deal of animus towards them. The town’s former industrial base was the large Hansa Brewery, and the layout of the town still reflects this: the streets are very broad, wide enough for beer-carrying freight trucks to maneuver.
Our hotel is another avatar of this colonial history, its architecture resembling European colonial mansions everywhere, with whitewashed colonnades, an English garden, and sweeping staircases. It’s just a tad different from our Namib desert camp. Its name, aptly enough, is the Hansa Hotel.
With this uninspiring historical background, today was very much a cultural immersion day. Our first stop was the Festus Gonteb Primary School, a K-7 institution educating nearly 1100 students, nearly half of whom walk the mile distance from “DRC”, the sprawling 15,000-person shantytown Democratic Resettlement Community down the road. (More on DRC below.)
We received background information about the school from FGPS’s earnest if longwinded principal, who then turned us over to two 7th grade “prefects”, i.e. top students (both girls) who are given assorted academic, outreach, and disciplinary responsibilities for their achievements. (The “disciplinary” part kind of weirded us out, in truth; the principal’s description made it sound like they girls were being promoted to some kind of stool pigeon, and we wondered darkly whether they still had any friends left.)
We split into two groups, one with each prefect. I went to a 3rd grade class with our impressively poised and articulate prefect Jennifer; Alice was in a group that visited a class of 6th graders. The students were nothing if not enthusiastic to see us.
My camera alone was a big hit, and I made the mistake of allowing one of the kids to take a picture of me with it, instead of the other way around, which of course meant that I was swarmed by every kid in the class who also wanted to take a picture with it and look at the resulting image. I now have about twenty lousy pictures of myself, none of which show my windmilling arms as I frantically attempt to keep about two dozen pairs of enthusiastic hands away from my very expensive lens.
The kids sang songs for us — and we sang Row, Row, Row Your Boat as a round in return — then said a prayer and sang us farewell.
We in turn left behind a load of school supplies that we had purchased, and received a boatload of hugs in return. We were impressed: these kids were enthusiastic, well-behaved, curious, and very affectionate. They have a lot to offer; we hope that there is hope for them.
As I mentioned, about half the kids walk to school from the “DRC”. It’s an interesting phenomenon, basically a government-sponsored shantytown. The government provides the land and lights the wide dirt streets, but provides no electricity otherwise. Residents scrounge materials to build shacks, and are given a metal ID token that, when inserted into a hydrant-like water station, allows them to access to water. The shanties are otherwise without plumbing, though a sewer line is in the works.
At the edge of the shantytown is an actual (very) low cost housing development being built by the government, with rows of simple roofed conventional houses that rather like military base housing. The long term plan is to build more and more of these and gradually replace the shanties with actual small houses that the DRC residents are able to own.
Our destination within DRC was a soup kitchen, a rather remarkable three-room operation run by the inhumanly formidable Miss Katrina (a.k.a Mother Katrina) in the form of the Dantago Communities Rising organization; see the link for their Facebook page. Katrina has a day job as a restaurant manager in town but appears to operate in some kind of spacetime warp as she also runs Dantago as a combined soup kitchen/day care/community garden/craft store. Here she is with some of her charges, the latter taken in — sometimes during the day, sometimes semi-permanently — from parents who cannot care well for them. In a few cases those mothers, e.g., disabled by alcoholism, actually work at the center making jewelry for sale, or tending the garden to sell vegetables (the latter not so easy during a four-year drought). “Center”, by the way, is a rather strong word for the structure, which is a three-room shanty with no electricity or running water.
Our contribution was to bring a load of vegetables, cut them up, and watch Lloyd and Katrina’s helpers make stew, which we then ladled out to the kids.
My contribution was to start a riot by showing my camera to the kids as I took their pictures, thereby triggering the same grabfest that I had experienced (and caused) at the Festus school an hour earlier. Here I am in full Sensitive Tourist mode, trying to keep those grubby little hands off my goddamn lens. (Thanks to Sherryl for this picture, which I shall perhaps forward to Angelina Jolie.)
I should mention, by the way, that I asked Katrina whether it was OK for me to take pictures. Her response: “Take as many pictures as you can. Send them to everyone you know. The more people that know about us, the better!” So consider yourself informed. It seems trite and mawkish, but I truly could not look at these kids without thinking of my own three grandchildren (ages 9 months, 21 months, and 5 years), who of course want for nothing and in all likelihood never will. Katrina’s reserves of energy, compassion, and patience are virtually inconceivable to me. (And she is not unique, as I’ll get to in a moment.)
Grinding poverty notwithstanding, things are apparently never too dire for a makeover, and travelmate Wanda went to work with gusto. We soon had a soup kitchen full of juvenile, brightly painted nails.
The child in the above photo, by the way, is from the San tribe, i.e. the Bushmen.
Our final stop was an actual orphanage, the “Tears of Hope” in the nearby township of Mondesa, run by the no less formidable Naftaline Maua, whom you see here in sort-of-traditional Himba garb.
I say “sort of” traditional because actual Himba garb consists of very little indeed, plus red ochre hair coloring. The original German colonists — or more accurately, the original female German colonists were none too crazy about this, first because their husbands’ eyeballs were bugging out all the time, and second because those same husbands kept coming home from a hard day of oppressing the natives with red ochre stains in very difficult-to-explain places. So they strongarmed the men, in particular the clergy, into forcing the native women to wear Victorian dresses. As a sop to the actual Himba culture, however, they developed headwear designed to resemble to cattle horns, since the Himba were cattle farmers. Hence Naftaline’s hat and dress.
Naftaline has an interesting history of her own as an AIDS counselor, which you can read a bit about by clicking here. Now she runs a 6-bedroom home that houses 21 orphans (none, fortunately, with HIV). She is an outgoing energetic woman who apparently needs no sleep, and who with her daughter prepared a wonderful lunch for us in her dining room, featuring lamb and polenta seasoned with spicy tomato-y chakalaka relish. (Here’s the recipe if you’re interested.)
Turns out that a couple of her wards attend the Festus school we had visited that morning, and indeed a few came home and said hello to us since school was ending (or on lunch break) while we were there. We left behind some household goods and clothing for her, then returned to our hotel to contemplate our spectacularly non-poverty-stricken lives.