Posts Tagged With: gondola

A Gondola Ride, and Not the Ones in Venice

Balzano-1We walked around in Merano for a bit last night, mostly in an arduous search for an open restaurant, soaking up the odd hybrid Italo-Austrian ambiance. There’s a small pedestrian area near the heart of downtown, reached by walking over a small bridge over a wide but shallow creek. And should you find yourself on that bridge you will see a phenomenon that is gradually becoming the bane of city bridge-maintainers everywhere: padlocks, like the ones you see here. There are hundreds of them, some placed by lovers looking for cheap symbolism, others as some kind of memorial. Some are attached by the dozen to engraved sheets of aluminum, which are themselves then locked to the bridge railings. It is a particular problem in Paris, I have read, where some of the smaller bridges have so many locks that they are becoming a structural risk. Here it is just an oddity.

Balzano-2And speaking of oddities, the next one that we encountered in downtown Merano was some kind of art installation, a cylindrical wedding-cake like structure about 10′-12′ in diameter and a good 8′ high, made entirely out of newspapers. And I don’t mean papier-maché or anything like that: I just mean folded-up whole newspapers. Here’s a closeup. I have no idea what this means. Nor do I know what is going to become of it after a few heavy rainstorms, other than becoming an extraordinarily dense pile of cellulose mush.

This morning dawned clear and bright, despite an ominous weather forecast of mid-day thunderstorms, so we decided to take advantage of the nice weather, however temporary, to get a better view of the Dolomites. One of the best places to do this is in the nearby city of Bolzano, only about 15 miles to the southeast, a busy city of 100,000 best known for a large army base and, more interestingly, a “tram” — actually a cable car or gondola — that takes you up over the town and into the lower Tyrolean Alps.

The gondola ascends about 3,000′ starting from Bolzano’s central train station, up to a the small and appropriately-named village of Soprabolzano, i.e. “above Bolzano”. In German — and everything is in German here, about which more shortly — it is Oberbozen. The change in ambience over that 3,000′ ascent is remarkable. As you look back down the cable car path you see the urban center of Bolzano…

Balzano-12…and a few minutes later you are in Soprabolzano, where they could have filmed Heidi:

Balzano-4You can get some of the best views of the Dolomites not from Soprabolzano itself, however, but rather from the nearby village of Collalbo (Kolbenstein if you’re in a Teutonic frame of mind), which you get to by hopping on the cutest little one-car light-rail tram ever built. The tram leaves from Soprabolzano every half hour and pretty much follows the ridge line of the mountain, arriving in Collalbo about 15 minutes later. Along the way, and in Collalbo itself, you get views like these:

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Balzano-5…which are pretty remarkable considering that we were negotiating busy city traffic about an hour earlier.

Collalbo’s big attraction, aside from the obvious views, is a multitude of hiking trails, in particular one that leads to what they call the “Erdpyramiden” (“Earth Pyramids”), a type of geological formation found throughout the world and which in the US are called “hoodoos”. They are tall pointy formations, some with rocks balanced on top, formed by alternating periods of drought and rain that erode the ground around the rocks and eventually leave them balanced precariously on an array of pointy columns that make the hillside look like some kind of surreal convention of either Ku Klux Klansmen or Spanish Inquisitors. Here’s what the hillside looks like, reachable by a rather hilly half hour hike from the Collalbo tram station:

Balzano-7…and here is a closeup that shows some of the rocks on top:

Balzano-8We admired the geological weirdness for a few minutes, then headed back towards the tram station, pausing to stop for lunch at a hotel restaurant. The weather was still beautiful so we ate outdoors, where Alice increased her Italian vocabulary the hard way: the special of the day was polpetto, which Alice ordered, knowing that since the Italian word for “octopus” is polpo, polpetto clearly means “little octopus”. Octopus is a favorite meal of hers. And unfortunately for her, polpetto actually means “meat loaf”.

We would actually have figured that out if we had looked a little more closely at the menu, since underneath the Italian name it pretty clearly said something like Fleischstück in German, which would have been a giveaway that we were not talking about octopuses. (And yes, the correct plural is “octopuses”. I don’t want any comments demanding “octopi.”)

This brings me back to the whole Austrian-Italian mishigoss. (For non-Jewish readers, that’s Yiddish for “complicated mess”.) Merano, as I mentioned, is very much a bilingual city with the local culture tending towards the Austrian. But Bolzano, despite being slightly further from the Austrian border, takes a big step closer to its Germanic roots. There is little trace of Italy either in the architecture or in the language spoken in the streets: German is clearly more prevalent.

I mentioned last time that this is a consequence of the redrawing of Europe’s borders in the wake of World War I. Italy wanted this particular chunk of the Austro-Hungary Empire, and got it. (They also wanted scenic Dalmatia, spurred on by the ubiquitous ultra-nationalistic Gabriele D’Annunzio, he of the Addams Family mansion. But they didn’t get that, and it is part of Croatia today.)

But it was a near thing. German U-boats had utterly decimated British sea traffic by mid-1915, and, though hard to imagine today, Britain was only about three months away from surrendering when the US finally shed its neutrality and entered the war. It is interesting to speculate what would have happened had the US not done so, e.g. had the Germans not unwisely sunk the Lusitania the year before. Germany and Austria would have won the war in late 1916 instead of losing two years later. And that means that there would have been no onerous Treaty of Versailles, no Weimar Republic…and no rise of Hitler. In other words, World War II would not have happened or, if it did, would have been in a radically different form, e.g., Europe (including Germany) and the US allied against Stalin’s USSR.

It also means that we would have needed to get our passports stamped this week as we moved from Vicenza to Merano, and would have been a lot less confused as to whether we were still in Italy or had somehow wandered into Austria.

We headed back to Merano around 3:30, with a final stop of the day at Trauttmansdorff Castle, known for being the world’s least-pronounceable botanical garden. (It is actually one of the largest and most impressive in Europe.) We had repeated trouble keeping the name straight and eventually fell back on author Kurt Vonnegut, electing to call it Tralfamadore Castle. (If you don’t know what Tralfamadore is, you need to (a) look it up by clicking the link, and (b) reading more Kurt Vonnegut.) Jim sand Elaine toured the grounds, but Alice and I were just too tired and so just waited for them outside: she is still getting over a cold, which she has now generously shared with me.

Tomorrow we are off to our next destination: Modena, home of Ferrari and Lamborghini. Along the way we will visit the South Tyrol Archaeological Museum to call upon Ötzi, the famous 5500-year-old mummified hunter retrieved from a glacier in the Alps several years ago. He is widely known as the “Ice Man”. We, however, refer to him more familiarly as “Frozen Dead Guy”.

 

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Vaporetto to the Ghetto, and Moving on from Venice

Venice-etal-1We had grand plans for Sunday the 19th involving Venice’s Jewish Ghetto, but we overslept and, though we ended up walking arund the ghetto and visiting the Jewish Museum, we had some time constraints that prevented us from taking the tour of the ghetto’s five synagogues. (Photo taken in the staircase inside the museum.)

Venice’s Jewish ghetto has the dubious distinction of being the original Jewish Ghetto. The Jewish population was isolated in 1516 by order of the Doge (it was either that or leave the city altogether), and they were moved to an undesirable area near the edge of the city at the site of a foundry. The Italian word for “foundry” is geto, pronounced like “jetto”, but later German immigrants pronounced it with a hard G since the German language has no soft G. And so the modern word was born.  It’s a remarkably small space, basically a single square with two narrow streets radiating off it. Two of the synagogues are located on the square and the other three on the side streets.

Although World War II-era Pope Pius XII has come in for considerable criticism for what many see as a laissez faire attitude towards the Nazis, Italy did better than most occupied countries when it came to protecting their Jews. They managed to ship off almost none at all until 1943, when Germany invaded and occupied northern Italy after Mussolini figured out who was actually going to win the war and switched sides. It was in late 1943 that the deportations started: 8000 Jews were shipped off to concentration camps, and eight came back. Even so, 80% of Italy’s Jewish population survived the war.

Today, despite the presence of several kosher restaurants, the ghetto is home to approximately zero Jews and — but for the synagogues themselves — is more tourist destination than religious enclave. We toured the museum, and as we were about to leave the square I passed a young (about 30 years old) Hasid — beard, flat hat, black coat, the whole deal — who bade me “shalom“. So I “shalomed” back, and we fell into conversation. He said, “Are you Jewish?” I replied, “Yes, and I’m guessing that you are too.” He was Australian, visiting Italy for a month including the recent Passover holiday. So I said, “chag samayach” (“happy holiday” in Hebrew, to my Gentile readers), at which moment I became a marked man. He spent the next several minutes trying to inveigle me into accompanying him to the synagogue to don the tefillin, which are the leather phylacteries worn by orthodox Jews, and it’s all very complicated so just click the damn link on the word “tefillin” to get the full explanation. Suffice it to say that I had not done this since I was 13 years old and was not about to do it now, because (a) I had absolutely no memory of the required prayers; and (b) also had no memory of the appropriate details for winding the leather straps and would in all likelihood have ended up strangling myself. It would not have been a salutary experience for either of us, so I begged off.

Our traveling companions Jim and Elaine arrived from Trieste that afternoon (hence our time constraint); we had flown over with them but they started their sojourn in that city and we were now meeting up again to spend the next 2 1/2 weeks together. Our first joint stop was the Peggy Guggenheim museum. The heiress was quite the force in the art world in the 1940’s — a major patron and collector — and amassed a large collection of contemporary art here in Venice. Salvador Dali, Jackson Pollack, all the biggies form that era. Her grave is on the grounds of the museum, rather oddly surrounded by the graves of her 14 “babies”. One is shocked that she had so many children — all of whom died — until a closer reading of the headstone reveals that (a) they all died between the ages of 5 and 14, and (b) they all had names like “Sir Herbert” and “King Kong”, “Peacock”, and “Cappucino”. Dogs. Lhasa apsos, to be exact. Sheesh.

The weather had improved considerably over the chilly rain we had had the previous two days; the day was sunny though the night was still brisk. It seemed like a good opportunity to take the vaporetto around to St. Mark’s Square to watch the crowd and get some night shots, e.g.:

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One of the curiosities of St. Mark’s is the “dueling orchestras”. Several of the restaurants around the square have rather formal looking outdoor quartets playing both classical music and classical-sounding versions of popular tunes from various eras, e.g., Sinatra’s “My Way”. It is a pleasantly anachronistic sight. Here’s one of them:

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We spent yesterday (Monday April 20) on a boat outing to Venice’s two most popular nearby islands: Murano and Burano. Murano is famous for its glass factories and galleries, but to our eyes seems to be largely coasting on its reputation. Virtually every store along its canals is a glass gallery, and they seem to fall into two broad categories: crap made in China, and genuinely beautiful incredibly expensive locally-made pieces.  Many of the latter have signs in front of the store that say “No China” so you ostensibly know that you’re getting the real deal. But since our choice seemed to come down to lousy stuff or stuff we couldn’t afford, we didn’t buy anything.

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It should be called “Floating French Fries”, but it isn’t.

A few of the stores have resident artisans whom you can watch making glass items on the spot. This was fun to watch. What was not so much fun was when I tried to take a picture of said artisan and got yelled at. “No photos!”  Jeez.  Bunch of glass-holes.

There is an interesting  museum on Murano that displays glass items from the full history of glass, from the earliest Mesopotamian pieces of about 1000 BC to hypermodern art installations like the one I photographed here. The museum was certainly the high point of Murano, but in truth it was no better and in some ways less interesting the Corning Glass Museum in upstate New York. In short, if you’re pressed for time in Venice, you can pretty safely leave Murano off your list.

Our next boat stop was the neighboring island of Burano, very small and known primarily — and for very good reason — for its colorful streets and for its lace industry. We didn’t buy any lace but the houses are insanely photogenic. Here are a few photos from various streets and alleys; the last one is the main canal and shops.

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Burano also has its own leaning tower, a bell tower at tilts at about a 5 degree angle, roughly the same as its more famous cousin in Pisa. But it’s hard to get a good close vantage point that allows the tilt to show up in photos; you see it best from far away, aboard the boat.

This was our last day in Venice, and hence our last opportunity for a gondola ride. Yes, it’s touristy, and yes, it may be overpriced, but c’mon, how jaded do you have to be to go to Venice for the first time and not ride in a gondola? We are experienced travelers, not jaded ones, and so after appropriate due diligence (i.e., reading some web sites to see how much it ought ot cost, how long a typical ride is, etc., we took the plunge (not literally). In case you were wondering, a “standard” ride costs 80 euros and lasts for roughly a half hour. More if you want to go longer, or if you go at night, or if you want the guy — and they are all guys, every one — to sing. The basic package was entirely adequate for our purposes. (And by the way, if you do want to the guy to sing, do not ask for “O Sole Mio”. That’s a Neapolitan song: wrong part of the country.)

Fun facts, courtesy of our gondolier Antonio: there are 500 gondoliers in Venice, all men, and many having come to the career through the family line (Antonio himself claimed to be 5th generation). They all know each other; we saw that in action since we encountered several other gondolas in some of the side canals, and the guys all chatted continuously among themselves. You have to go to Gondolier’s School to get certified. (And you damn well better study; the clearance on some of the tighter turns in the side canals was about an inch.) A gondola is 35′ long, weighs about 1200 lbs, and has six coats of paint. The Rialto Bridge restoration will take two more years. Et cetera. It was quite a lot of fun, and of course very romantic. We were satisfied, as the second of the next two pictures shows.

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And that was the end of our stay in Venice. This morning we picked up our rental car (a brand spanking new Peugeot 5008 that fits us and our luggage perfectly) and set off for Aquileia, about 60 miles to the north, a formerly-great port city during the waning days of the Roman Empire. There is little there now except for a smattering of Roman ruins and, much more impressively, a basilica whose floor is a very old Roman mosaic. Here’s a detail:

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We walked around for a while then struck out for tonight’s lodging, a B&B in the northern foothills, a gorgeous wine region whose hillsides look like, well, exactly what you think they should. I’ll try and get some photos tomorrow. We are staying at a 4-unit lodge built from what appears to be a converted farmhouse overlooking a vineyard. It’s a beautiful place in a rustic hilltop village. In fact, the only thing exciting our cynical instincts is the name of the village, which is San Pietro del Fellete, which we of course call St. Peter of Fellatio. No jokes about “thy rod and they staff”, please.

OK, if I’m writing stuff like that it must be late and I must be exhausted. So I will stop now.

Categories: Italy | Tags: , , , , , , , , , , , , , , , , , , , , , , , | 6 Comments

Venice Day 2: Doge Day Afternoon

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The fearsome, delicious mantis shrimp

Well, we did not have a gondola ride last night after all. We were exhausted, and simply walked down to the waterfront (less than a block from our flat) and had a typically excellent Italian dinner at a seafood restaurant aptly called Pesado. I had — wait for it — mantis shrimp with pumpkin flowers over pasta. Mantis shrimp? You mean you’ve never heard of the deadly mantis shrimp? Well, I will have you know that if you are a small sea creature then the mantis shrimp is one of the meanest badasses around. About the size of a large crayfish, it sits and waits until you are within striking distance, then lashes out a barbed claw at a speed of 50 mph (23 m/s), accelerating at 100,000 g’s (!) to turn you into a kebab. I am not making this up.

Aren’t you glad you asked?

Anyway, given our state of exhaustion, the terrifying but tasty mantis shrimp was an entirely adequate substitute for a nighttime gondola ride (which we will try for again tomorrow), and so we spent our last remaining dregs of get-up-and-go walking along the edge of the Grand Canal taking some nighttime photos, e.g.:

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Venice is beautiful at any time of day and in any weather, which is fortunate since today’s weather was on the chilly, gloomy side with an occasional very light drizzle. But before I relate today’s events, I would first like to regale you with two pieces of Italian trivia:

  • 13 is not an unlucky number here, but 17 is. Alitalia has no 17th row on their airplanes, and people get all hinky because today is Friday the 17th. I have no idea why this is so. (No one really knows either why Friday the 13th is considered unlucky elsewhere; the superstition is only about 150 years old and contrary to popular wisdom has nothing to do with the Apostles.)
  • Gondolas are not symmetric. Alice pointed this out to me, and it is very definitely true. The gondolier’s oarlock is of course at the rear and is always on the starboard side. Since he is always rowing on the right, in order to help keep the boat moving in a straight line instead of a wide counterclockwise circle the starboard side of the hull is flatter than the port side. That is, if you look at a gondola from above then it looks a bit like a backwards “D”. Who knew?

Now that you can win a couple of bar bets with the above information, let us carry on. Jet lag having had its way with us, we slept in this morning and then set out to a couple of small local stores to buy breakfast stuff (cheese, eggs, bread, etc.), returning to the flat for a meal before setting out on the day’s peregrinations, which turned out to be seven straight hours of walking.

Our first destination was back to St Mark’s square which, today being Friday, was significantly more crowded than yesterday. (I can only imagine what a Saturday in July looks like; an ant colony perhaps.) It’s kind of obligatory to see St Mark’s Basilica, and the line to get in moves very quickly, so we checked off this particular obligatory item pretty quickly. I suppose this sounds insufficiently respectful; the basilica is of course huge, famous, decorated with enormous elaborate paintings of the saints who appear to be covered with gold leaf, and so on. For me (whose appetite for pre-Renaissance religious art gets sated very quickly), the most interesting part was the architecture: the domes are ornate and elaborate, and the marble colonnades intriguingly complex, with every column seemingly made of a different type of marble.

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St. Mark’s Basilica. It is very Catholic.

Our next stop, immediately adjacent to the basilica, was the Doge Palace. The Doge, as you may know, was the chief honcho of Venice, the office having been created in about 700 AD and lasting for a mere thousand years. It was an elected position although for a period of a few hundreds the practice was to allow the Doge to name his successor, which in practice made it largely hereditary. In 1172 everybody had had about enough of that, and the position became determined by a council of 40 elders, rather analogous to the College of Cardinals. (Fifty years later the number was increased to 41 because of a deadlocked election.)

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Hercules at the Bat.

Anyway, the Doge was highly influential, even powerful, but under a number of constraints. He could not, for example, conduct official business without having a member of the council present; he couldn’t even open official mail in private. (Hillary Clinton, are you reading this?) But he was still a big deal. When granted an audience with him, the honored visitor was required to climb a specially reserved staircase — the Giant’s Stairs — to meet him. He would never descend those stairs to meet you; even the Pope had to climb them. The stairs are named for the two “giants” at their apex: Hercules and Atlas. Atlas is of course shown shouldering a globe in the traditional fashion. Hercules, however, is depicted clubbing the Hydra to death, apparently with a Louisville Slugger baseball bat as you can see in the photo. (It is not widely known that Hercules batted right, but threw left-handed. He hit .522 in his best season with the Delphi Deities but was eventually traded to Thessalonika.)

The Doge Palace is enormous and ornate in a fashion that Versailles would echo centuries later. Every room that we visited was limned in gold, the walls and ceilings virtually tesselated with the great artists of the era, notably Tintoretto. This will give you the idea:

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And that’s just the laundry room. (Not really.) But there is room after room much like it.

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Don’t cross this bridge when you come to it.

The palace is connected directly to the adjacent prison (convenient!), the connection being the famous Bridge of Sighs that you see here. Legend has it that the bridge gets its name from the sighs that the prisoners would breathe as they crossed the bridge and beheld the beauty of Venice for the last time before being incarcerated. I am skeptical of this. It’s easy enough to believe the sighing part, but personally if I were being marched off in shackles to a 13th century prison cell then no longer having a nice view would be the least of my worries.

Because of this historical association with the Doge Palace, the Bridge of Sighs is considered one of the go-to sights of Venice despite being architecturally less interesting than many of the other bridges throughout the city (and there are many, crisscrossing the spaghetti network of small canals).  But having toured the palace, we did in fact cross the bridge. No, we didn’t sigh. But if any of the prisoners who crossed didn’t either, they probably did by the time they got to their cells, which we also saw, and which I can pretty much guarantee would have gotten zero stars on TripAdvisor had it existed at the time.

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Worst. B&B. Ever.

As it happens, in one section of the palace there was a temporary exhibit of Henri Rosseau’s art, for me at least a welcome change from endless gold-leafed crucifixion scenes. We spent a relatively idyllic hour or two looking at Rousseau’s paintings, very cleverly and informatively displayed alongside his contemporary artists whom he influenced. (These included even Frida Kahlo and Diego Rivera.)

But when you’re in Venice, you are never very far from a crucifixion scene, and my pastoral neo-impressionistic relief was short-lived. After leaving the palace, we walked across town to the Accademia Museum, a particular goal of Alice because of its large and impressive collection of Tintorettos, Bellinis, Carpaccios, and Mozzarellas. (I’m not sure about that last one.)  By this time we had been walking for over five hours, and while I will be the first to admit that it was a very impressive collection — in some cases due to the sheer wall-sized immensity of some of the works — and that Alice very greatly enjoyed it, I was by this time pretty much crucifixion-ed and Madonna-ed out. Oh, and also St. Mark-saturated. As you may have already inferred, San Marco is pretty much the iconic figure of Venice in much the same way that Ben Franklin is the local deity of Philadelphia. We admired many paintings of Mark the Evangelist being martyred by the Alexandrians by being dragged through the streets for being a tad too evangelical.

After an hour and a half of this I reminded Alice of the wise words spoken by our almost-three-year-old grandson after an hour and a half at the National Aquarium: “I’ve seen enough fish now.” So I’m a Philistine. Sue me.

We walked back across town to our flat, by which time we estimated that we had hoofed roughly ten miles over the course of the day. Venice is a very walkable city, but you will walk a lot. It is a maze of medieval alleys barely as wide as your outstretched arms, a spiderweb of crisscrossing tiny streets and canals, and it is no coincidence that the first question one of my friends asked me after our first day here was, “Did you get lost yet?” But we didn’t, and I will tell you how. Download the wonderful app called “City Maps 2 Go”, which loads up your phone with a very highly detailed offline map of whatever city you want. It doesn’t need a cell or wifi connection to operate, just a GPS signal, and it guided us through the 10th-century street warren without a hitch. Highly recommended!

We went out for another late dinner on the Grand Canal — salmon gnocchi for me, seafood soup for Alice, both excellent. Which was a fine way to end the day, as well as this blog entry.

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Venice: The Incredible S(hr)inking City

You may have read on occasion that Venice is slowly sinking — more about that shortly — but may not have been aware that it is shrinking dramatically in population as well. As recently as 1952 the official population of the lagoon city was over 200,000; today it is roughly 50,000. It has shrunk by 9% in the past 15 years alone, and the fear is that soon it won’t be a “real” city at all, with actual residents, but rather solely a tourist enclave populated entirely by tourists, gondoliers, restaurant owners, and souvenir vendors. In other words, it may become the Colonial Williamsburg of the Adriatic.

But at that, it would still be pretty charming: Venice is one of those places whose appearance comports very nicely with your mental image of it. Which is to say, that it looks like this:

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Venice, appearing as advertised

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Venice-7Despite the charm, it’s pretty clear that the city is in decline, struggling to maintain its physical infrastructure.  Venice the city-state reached the peak of its influence quite some time ago — the Venetians basically dominated the Western world from about 900 AD to 1300 AD — but, well, what have they done for us lately? At least a bit of this decline is a consequence of the aforementioned sinking, whose signs are everywhere. Basically, the water is lapping at the front door of every canal-side structure, and the “ground” floors of many dwellings are unusable as a result, as you can see here.

So when will you need scuba gear to tour Venice? It depends on who you ask. The “official” rate at which the water is said to be encroaching is roughly 2 mm per year, but those self-same officials ascribe that number mostly to the rise in sea level of the Adriatic rather than the city actually sinking. (The Republican Party may not believe in global warming, but the Venetians, Dutch, Seychellians, and other low-lying peoples know better. And if you, gentle blog reader, also disbelieve it, then you are a willfully ignorant idiot and can stop reading now, pausing only to leave some stupid comment that I will delete.)

Where was I? Ah, lapping canals, yes. The official line is that, sea level rise notwithstanding, Venice used to be sinking on its own but isn’t any more. This may actually be true. Venice used to be studded with many artesian wells whose effect on the water table was exactly what you’d expect, and as the underground water was drawn off the city subsided to fill the gap. For that very reason artesian well drilling was halted about 25 years ago, and the subsidence has supposedly stopped as a result.

Maybe. A recent study by a geology group at Stanford claims that the city is in fact still sinking, at a rate of 8 mm per year. That is a lot: a foot every 40 years or so. The city fathers of Venice do not like this number, and there is quite the roiling controversy as to whether the study is correct.

Be that as it may, we will only be in Venice for 5 days, meaning that even if the Stanford study is correct the water will gain only about 0.1 mm on us, which is roughly twice the width of a human hair. And since we are staying in a third-floor apartment, our electronic equipment is probably safe.

We landed at Marco Polo airport at about 8:30 AM today (local time) and took the vaporetto (“water bus”) from the airport to the famous Rialto Bridge on the Grand Canal, from which we could walk to our apartment. It’s a third-floor walkup that we found through AirBnB, nicely appointed and well-situated maybe a 75 yards from the canal. Although its entrance is an obscure doorway in a tiny grey stone medieval alley, the flat itself is modern and comfortable: 3 bedrooms (though we only need to for ourselves and our traveling companions Jim and Elaine); 1 1/2 baths, a small living room with TV, and a large well-equipped kitchen and breakfast area.

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The maid was cleaning the place when we arrived at about 10:45 AM, so we dumped our luggage in the living room and set off to explore the city for a few hours before exhaustion and jet lag felled us altogether. As it happens the particular part of the Grand Canal that our street abuts is the home of a large outdoor produce and fish market, which made for  some pleasant wandering. The fish offerings in particular were plentiful and diverse, showcasing a number of creatures that we have seen rarely or not at all, including (a) gigantic black-and-white mottled and blobby-looking cuttlefish about the size of bed pillows; (b) buckets of whelks in their shells; and (c) a variety of unfamiliar crustaceans.

Some further wandering revealed that there are essentially three kind of souvenir vendors in Venice, found in about equal numbers. The sketchiest of these are the African guys who operate off a blanket thrown down just about anywhere on the street. They are everywhere, and they clearly all get their inventory from the same place, because they always all sell the same thing. (I have noticed this in previous trips to Italy and in Paris as well.) The “thing” that they sell is whatever happens to be the fad this year, which in April of 2015 happens to be selfie sticks for about 5 bucks each. Every last one of them was selling selfie sticks, and God knows the market was there because a lot of tourists — especially the Asians — were using them. Despite the availability of ready customers, the vendors were not at all shy at coming up to me and offering to sell me one as well…as I stood there holding my SLR with its soup-can-sized lens. Really? Does this camera look like you could attach it to a selfie stick and hold it at arms length?

The next-least-sleazy species of souvenir vendor is your garden-variety storefront selling plastic gondolas, teeshirts, snow globes…all the traditional tchotchkes. There are approximately one billion of these stores in Venice, and their density increases exponentially with proximity to a major tourist attraction such as Saint Marks’s Square. (Indeed, there are now so many selfie-stick-sellers and teeshirt vendors in Saint Mark’s Square that the famous pigeons have apparently been squeezed out; there were surprisingly few there.)

Venice-5Venice-6And finally we have the actual cool souvenir stores: the mask vendors. Venice is famous for its masks, as you may now, ansd there are many stores selling many beautiful ones. Some are whimsical, some grotesque, and many would be right at home in a Mardi Gras parade in New Orleans. The nice ones of course are handmade, often out of papier mache, and one patient owner let us watch her for a while. You can see her at work and one of her simpler creations in these two photos.

We spent the rest of the afternoon variously walking our feet off our getting around on the vaporettos. (Question to my Italian friends: is the plural “vaporetti”?)

Perhaps it would be helpful to clarify the type of water traffic on the canals. The Grand Canal is positively choked with boat traffic which, remarkably, seems to manage itself quite handily with few or no collisions and not even any obvious near-misses. Anyway, a quick glance at the canal immediately reveals:

  • Vaporettos, i.e., water buses that hold perhaps 40 people.
  • Water taxis, which are much smaller and more expensive teak-paneled speedboats that hold perhaps 4 passengers
  • Utility boats delivering supplies and construction, dredging, and other equipment from one point to another
  • …and of course hundreds of gondolas, mostly filled with clueless seniors like us or Japanese schoolgirls with selfie sticks

…which pretty much sums up our day so far. The weather today was beautiful — sunny and in the 60s — but is supposed to turn sour tomorrow. So we are considering going out tonight for an obligatory gondola ride, which should be especially nice at night. Perhaps I will buy a selfie stick.

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