With great reluctance we took leave of our castle yesterday afternoon, pausing only to hand out pennies to the serfs who were throwing rose petals in our path. Well, no actually. We did however, get to chat with the owners, or more accurately the managers, Maria and Gabriele, a handsome thirty-ish couple with two small children who run the place (and several others) on behalf of Maria’s grandfather , who bought the place from an eccentric baroness (really) ten years ago. Turns out that we were only the second guests, ever.
Maria also told us a bit of the castle’s history. (She has done some research and is preparing a brochure which has not yet been translated into English.) The oldest part of the castle dates from the 14th century, with various parts being added and renovated all the way up to the 19th. Our apartment was originally part of the one of the older sections, though has obviously undergone a series of renovations. (14th century electrical wiring was notoriously unreliable.)
Our goal lay to the northwest towards the mountains, in particular the resort region of Lake Garda, with a stop along the way in Verona. And as in the previous couple of days we eschewed the Autostrade in favor of the proverbial scenic route, wending our sinuous way through an endless series of hairpin turns up and down through the hills so that we could enjoy the views of the countryside, e.g.:
Those are grape vines in the lower right, by the way. They are ubiquitous.
Scenes like this were a fine reward for taking this route, of course, but the driving itself was exhausting, a master-class exercise in heel-and-toe work on the clutch, brake, gas, and stick. It was one of the few occasions when I would have been happy to sacrifice my Manliness Points for driving a stick shift in favor of a good old pedestrian automatic transmission.
Verone lay at about the halfway point between Vicenza and Lake Garda, so we stopped there for lunch and to look around. It’s a lively city of about a quarter-million inhabitants, dating all the way back to about 500 BC. It became officially Roman in about 100 BC, and as they did everywhere else the Romans left their architectural mark, in the form of high city walls that encompass the city center and, most notably, a large amphitheater that looks remarkably (and unsurprisingly) like the Roman Coliseum.
It is, however, in rather better repair than its big brother in Rome, because the choice was made to repurpose it for modern performances rather than preserve its full archaeological value. Hence the performance space, rather than being a field of collapsed columns, looks like this:
The bowels of the structure are a lot more historical looking, however:
The arena has a seating capacity of 30,000 and is used for every kind of performance: opera, plays by Shakespeare through Tennessee Williams (“Gatto Sul Tetto Che Scotta” = “Cat on a Hot Tin Roof”), and rock concerts (Mumford & Sons this June!).
As you can tell, the seating is a mix of folding chairs down at ground level, and both aluminum bleachers and the original stone steps above. The stone steps, though brutal on my poor arthritic knees, are beautifully preserved and beautiful in their own right, being a mix of different colored stone:
We climbed to the uppermost row of seats to get a view of the town, in particular the teeming square adjacent to the amphitheater. Verona is quite the tourist draw, in part because of its mention in a couple of Shakespeare’s plays, and of course for the amphitheater itself as well as other Roman architectural legacies. The square is lined with restaurants and alive with tourists, strolling locals, tchotchke vendors, and political groups making their pitch from canopied folding tables.
Verona does not shy from its literary connection to Shakespeare, far from it. The local authorities will no doubt be forever grateful that Romeo and Juliet was set here, as that fact alone is probably responsible for a measurable fraction of the tourist traffic. And indeed, somewhere in the city there is a balcony that is advertised as the one that Juliet stood on for her immortal “Wherefore art thou Romeo?” speech. This of course is completely idiotic, Juliet being a fictional character and Shakespeare never having left England. I was ranting on this topic and complained, “Hey, if you have any friends in Missouri who live in a house with a white picket fence, tell them that they can make money by advertising it as the one that Tom Sawyer talked his friends into whitewashing!” Whereupon Elaine informed me that such a fence does in fact exist, in Mark Twain’s home town of Hannibal, MO. Which just goes to show that it is not possible to be too cynical. In any case, we did not seek out the pointlessly-famous balcony, so I cannot tell you what it looks like.
We left Verona, and our driver (me) having tired of hairpin turns, headed directly to the resort town of Gardone Riviera on the western shore of Lake Garda, in the foothills of the Alps about 60 miles from the Swiss border. The weather, alas, has been deteriorating, and so our view of the gorgeous multitude of orange-tiled roofs along the shore was hindered by low-hanging clouds and a very light drizzle. Still, we found our flat, a modern two-bedroom affair, nothing compared to our previous digs but enjoying a beautiful view of the lake. Here are some shots taken from the balcony outside our bedroom:
Our flat is high on the hillside, nestled in a maze of the ever-present steep, narrow, winding cobblestone streets. (Navigating them by car is all sorts of fun.) The owner recommended a gourmet restaurant right down the street, where we enjoyed an excellent meal whose dishes included a rather unusual array of ingredients: Alice’s included spelt pasta with octopus sauce; mine was a fish mousse. If for some reason you ever find yourself in this particular town, by all means eat at Osteria Antica Brolo. Tell them that Fabrizio Pollini sent you.
The weather today is pretty bad, chilly and drizzly, and so we are setting aside our more ambitious touring plans. As it happens we are very close to a large and famously bizarre Addams-Family-style mansion, the Vittoriale D’Annunzio, whose eccentric owner decorated it with knick-knacks like gilded turtle shells that happened to catch his fancy. A more complete report later…