Posts Tagged With: rain
If you use a site like TripAdvisor to find the most popular Hong Kong tourist destinations, the list will generally include the cable car ride and Giant Buddha on Lantau Island. Now, it is true that in traditional Zen-like settings one rarely finds the words “Buddha” juxtaposed with “cable car ride”, but we figured, what the hell, we’ve got the day free and it’s on all those lists, so…
The attraction is fairly new, built about 25 years ago, and Lantau Island itself is immediately adjacent to the airport on the tip of the mainland. The best way to get there is by Metro, which we had early on decided not to use since it has become the locus for many of the protests and police actions. But then we figured that since we had missed out on the Molotov cocktails two evenings ago, we should at least enjoy the prospect of a robust tear-gassing, and off to the Metro we went.
The Hong Kong Metro is impressive. The stations and trains are large, spotless, efficient, and ultramodern, although many of the fare machines have been damaged by the protests and taken out of commission. The cars are wide with molded stainless steel seats — rather unfortunately reminiscent of oddly clean bus station urinals — and the doors between cars stay open so that looking down the length of each train gives the impression of some kind of pedestrian interstellar portal.
Alice had downloaded a Hong Kong Metro app that served quite well to help us navigate the system. Fares were reasonable; it cost about US$3.50 per person to get out to the island, about a half hour ride.
Problem was, the further out of the city we went, the worse the weather got. We started with hazy sun, then moved into gloomy overcast, traveling past huge apartment blocks that, for their ominous appearance, may be housing either alien larvae or blocks of residents in suspended animation.
By the time we got to the cable car station at the base of the mountain on Lantau we were pretty fully socked in, and the ride up the mountain — and thus into the clouds — offered a somewhat apocalyptic cast, at least when the visibility was greater than 50 meters.
The cool part, though, was that the cars had glass bottoms (we had actually paid extra for this, since not all of them do), which adds a note of surrealism and acrophobia to the experience.
We were greeted at the top by more clouds and rain, the Giant Buddha itself, sitting serenely and wetly atop an adjacent hill and overlooking the pseudo-village of Ngong Ping. Here was the sort-of serene part of the scene, heavily Photoshopped so that you can at least make out the statue through the drizzly gloom:
What the photo doesn’t show was the “village”, which was a shopping enclave that included such traditional Chinese restaurants as — and I assure you this was actually there — “Ebeneezer’s [sic] Kebab and Pizzeria.” There were some interesting souvenir stores as well (Alice bought a nice fan), but my favorite by far was the centerpiece of the complex, a garish-looking multimedia virtual reality extravaganza called — and again, I swear this is true — “VR 360 Walk With The Buddha.” And now I suddenly realize that I should have Photoshopped a VR headset onto the statue in the previous photo. For it is said that the way of the Buddha is through the Playstation, one of which surely would have been owned by Siddhartha Gautama himself.
There are 268 steps from the base of the hill to the statue, and we did exactly none of them because it started to pour. So back down the Stygian cable car we went, closing the book on this particular adventure. It was the Afternoon of the Anti-Zen.
We leave early tomorrow morning for Hanoi and the main part of our trip. Stay serene, grasshopper.
That would be “rain”, which is what is falling from the sky in Prague today. It didn’t really slow us down because in the wake of yesterday’s ambitious touring, we decided to take it easy today. Our first stop was the National Museum of Decorative Arts for the purpose of seeing the photography exhibition of Josef Koudelka, an outstanding and near-legendary Czech photographer whose name you may never have heard but whose work you have seen. He’s the guy who took all those famous street photos of the Soviet invasion of Prague in 1968.
It was an enormous exhibit displaying hundreds of works — all in black and white — from over Koudelka’s 60+ year career. He’s currently 80 and still working… and collecting awards by the bushel.
(I don’t know who the visitor is in this picture; Alice was in another room at the moment.) If you have any interest in photography at all you owe it to yourself to learn more about Koudelka and look up his work. He’s amazing.
Our second and final stop was a return to the Franz Kafka Head, which frustrated us a couple of days ago by stubbornly sitting there inert instead of doing its metamorphic act. But today we got lucky, and I filmed this:
Alice correctly observed that it was a lot cooler in motion than standing still.
And that’s about it for today, which was our last full day here. We return for a stopover overnight in Reykjavik late tomorrow evening, then return home Tuesday afternoon. For our penultimate dinner in Prague tonight, we went to…. a Thai restaurant. Czech food is fine but is heavy on things like lamb and venison and wild boar and such, accompanied by five different kinds of bread and potato dishes. We were getting a little dumpling’ed out so went to a Mexican restaurant last night, one run by actual Mexicans, which was excellent. If you’re wondering how and why Mexicans came to Prague to open a restaurant as opposed to, say, San Diego or Omaha, the answer is complicated. Some of the owners and staff came as students and stayed; others skipped over the US (I can’t imagine why) and emigrated to Canada, then came to Prague from there. Restaurant prices, by the way, are about 20% cheaper here than they are at home in the DC area. So Prague generally seems like a bargain.
Some final random notes about the city that I was too tired to include in yesterday’s entry:
- St. Vitus Chapel at Prague Castle contains the sepulchers of both Saint/Sorta King Wenceslas and Saint John of Nepomuk. You’ve never heard of Nepomuk but he’s got a good story: in the late 14th century he was said to be the confessor for the queen of Bohemia. (This is unlikely to be true for reasons that I will not bore you with.) The king was the jealous sort and demanded that John reveal the queen’s secrets. But unlike Paul Manafort and Michael Cohen, John of Nepomuk refused to dish to the authorities. So the king had him drowned. Three centuries later, his body was exhumed and his apparently intact tongue — the one that he held, so to speak — was found in his skull. Wow! Miracle! Canonize this guy right now! So they did. Three centuries after that, the Catholic Church — who should have known better — allowed a forensic analysis of the tissue and it was discovered not to be a tongue at all, but rather a mummified glob of brain tissue. But hey, once you’re a saint, you’re a saint. No take-backs.
- Speaking of Catholics, there aren’t enough of them here to fill the churches. Nearly 80% of the Czech population either identifies as “no religion” or refuses to answer the official survey questions about it. 30% declare themselves full-on atheists. The Catholic population, nearly 40% of the population as recently as 25 years ago, is now down to 10%. So this translates into a lot of empty churches: one that we visited had been donated by the local diocese to their Greek Orthodox counterparts, who were apparently able to make better use of it.
- I mentioned earlier that Prague is a popular movie filming location: Amadeus, a couple of Mission Impossibles, Yentl, The Bourne Identity, the Vin Diesel action movie “xXx”, and a number of others. Our wanderings happened to bring us to a number of the sites, including the courtyard of Prague Castle, which played the role of the Kremlin courtyard in Mission Impossible IV. Or III. Or some other number. Here’s a street corner that shows up in Amadeus:
- Prague loves to claim Mozart as a sort of adopted favorite son, even though he never really lived here. He did visit several times for extended stays of a month or two. But interestingly, Prague contains one of the very few harpsichords that is known for certain to have been played by Mozart. It’s a “George Washington Slept Here” sort of thing.
Weather permitting, probably the last thing we will do tomorrow is visit the highest point in Prague: the Petřín Tower. At 63.5 meters (208 ft) tall this would not seem to be a strong candidate for the designation, but the trick is that it sits on top of a 318 meter (1043 ft) hill overlooking the city, so its observation deck is actually 382 meters (1252 ft) above the river. That’s taller than the Eiffel Tower… which is not a coincidence, because the Petřín Tower is a nearly exact model of the uppermost 64 meters of the Eiffel Tower! This bit of architectural weirdness gives the Czechs an opportunity to thumb their collective nose at the French.
Since we are flying out tomorrow evening, I expect that this will be my last blog post from this trip, which began nearly three weeks ago. It’s been another great trip. Next up is a visit to our friends in Arizona in about 6 weeks, followed by our return to Hawaii in February. Life is good!
Before I begin my report of today’s travels, I would like to backtrack by a day to point out an important fact that I left out when reporting on yesterday’s buffet breakfast, the one overlooking the cows being milked. Tim has reminded me of an important buffet offering that I forgot to tell you about, namely that among the delectable offerings that included smoked Arctic char, lamb, geyser bread, and local cheeses, there was also….cod liver oil. Yes, the legendarily foul tasting dietary supplement and laxative was proudly offered alongside a row of gaily decorated shot glasses. This raises the possibility of playing the worst drinking game in history. And now back to our regularly scheduled blog post.
We arrived close to dark last night at our destination, the oddly steampunk town of Seydisfjordur, population 700. It is accessible — when accessible at all, which in the winter months it is not — via a truly harrowing drive over the mountain separating it from the larger town of Egilsstadir (population 2200). The drive is a 15 km collection of steep hairpin turns and switchbacks with no guardrails, through utterly impenetrable fog. At night. Kudos to Tim for getting us there safely while poor Janet alternated between fearing for her life and fending off carsickness. (In her defense, it probably didn’t help that after each curve I remarked, “Wow, we could’ve died on that one!”)
I’ll tell you about Seydisfjordur in a moment but feel obliged to first expand upon Egilsstadir, or more accurately its location. That is to say, that it sits on the shore of the Lagarfljót fjord, home of the “Lagarfljót Worm”, Iceland’s equivalent of the Loch Ness Monster. The story goes that a little girl had a gold ring that she wanted to make much bigger, thus having more gold. By same arcane logic known only to Icelanders, she attempted to do this by putting the ring in a box with a slug (the snail kind, not the fake coin kind), and throwing it into the lake. Yeah, I know. Stupid. But this is how the story goes. Anyway, instead of the slug making the gold ring bigger, the gold ring made the slug bigger. Lots bigger. So now there is a magical slug the size of Godzilla lurking at the bottom of Lagarfljót fjord. Consider yourself duly warned.
Back to Seydisfjordur. It has three important properties: (1) it is the departure port for the three-day (!) ferry ride to Norway. (2) It is the home of a well-known art school, whose steampunk-ish post-industrial sensibilities pervade the “rust chic” aesthetic of the town. And (3) after repeated failed attempts, Janet discovered that she can pronounce “Seydisfjordur” only when affecting an atrocious and culturally inappropriate fake Swedish accent, like the Swedish Chef Muppet character.
Seydisfjordur nestles at the base of the inlet from which the ferry departs, as you can see in these aerial photos.
In the lower photo, our lodging is the cluster of buildings right of center with the gymnasium-looking building. It’s a good example of the “rust chic” that I mentioned earlier. Basically, every single structure in town looks like it was constructed out of discarded ship parts, shipping containers, or industrial detritus. Here’s a closer view of our apartment complex:
We were in the upper floor of the building on the left, which, though nicely appointed with hardwood floors and the like on the inside, looks from the outside suspiciously like it had been constructed out of shipping containers. And a little right of center in the photo you can see a structure with an orange roof. That is the rusty, discarded ship’s bridge from a long-demolished tugboat or fishing vessel.
All peeling paint and flaking rust, its interior has most incongruously been furnished as a child’s playhouse, complete with board games and brightly colored tables and chairs.
This is the playhouse where Stephen King’s grandchildren probably hang out. If you were to construct such a thing for children in the US, you would need to have an EMT and a lawyer stationed there at all times.
We left Seydisfjordur at about 11 AM after a leisurely morning photographing the Playhouse From Hell and flying the drone to get the aerial shots above. We spent the rest of the day making the drive to the southern part of the island, past stunning volcanic vistas — craggy mountains lining the fjords, pendulous gray clouds above — and more roadside waterfalls than we could count. Here are some samples of the terrain.
The weather was raw with an occasional drizzle, but when conditions permitted I flew the drone to get some aerial videos of the waterfalls. I’ll post these in a few weeks after we’re home and I have had the chance to edit them.
Our destination was an isolated guesthouse in the southeast corner of the island, at the edge of the enormous Vatnajökull glacier. And I do mean enormous: it is the size of Delaware and occupies 11% of the land area of Iceland. You can see it from many places in this part of the island because it has numerous “tongues” that protrude like amoebic pseudopods out from the main body of the glacier down towards the coast. Seeing such a tongue from the road at a distance of several kilometers, it looks like this.
Such a scene pretty much begs for an aerial view. After a few more minutes of driving brought us to within about 5 km of the face, we could get a good view with the drone, which I sent about 3/4 of the way to the face at an altitude of about 300 m (1000′) to get this photo:
The threatening clouds that you see here have been pretty typical for this trip, aside from the few sunny days we have had. But mostly the rain has held off when we needed it to, so that I could capture pictures like these.
Tomorrow we head to the town of Vik, about 200 km to our west and thus on the southern side of the island. We’ll be visiting a glacial lagoon and doing other volcanic stuff, so stay tuned.
OK, I want to be clear here. In the United States, the petrol pump with the green handle is always diesel. Always! Am I right, or am I right? I thought so. And so my error was not only forgivable, but unavoidable. Unavoidable, I say! But I am getting ahead of myself.
We left Reykjavik at about 10 AM today, en route to the north, to the area around Borganes, a small town on one of the western fjords of the country. Our specific destinations were a lava cave and a couple of well-known waterfalls in the vicinity. But first we needed to fill the tank of our thirsty 4WD behemoth, a double-cab Isuzu pickup truck with an enclosed bed for our luggage.
There was a gas station just around the corner from the flat, a brand called Olío. (Notice the accent over the letter i, which gives it a long i sound.) Our vehicle requires diesel fuel, which I noticed that all the pumps offered. So I drove up to the first pump, inserted my credit card, and engaged the pump with the green handle since that is OBVIOUSLY DIESEL FUEL. I pumped about 40 liters — costing approximately 12 million dollars US — as Tim and I congratulated each other on our manly ability to pump gas in a foreign country. (By the way, for the record, petrol actually costs roughly US $9 per gallon here.) But as I hung the pump back in its cradle, my eye was drawn to an adjacent pump handle — stealthy black in color — with a tag on it that, in ominous Icelandic, read “Díesl”. By virtue of my highly advanced linguistic skills, I immediately realized that, in NASA parlance, I had screwed the proverbial pooch. In particular, I had just put about 40 liters of 95-octane petrol into a diesel vehicle. The only saving grace of the situation was that I had noticed this before we had set out on our drive and inevitably broken down in the middle of some godforsaken windswept glacial tundra, which is where it surely would have happened.
But since we were still at the petrol station, the potential catastrophe had been reduced to what Alice and I refer to in our travels as an “MSP”, which stands for “Money-Solvable Problem.” I went to the counter of the service station, where the friendly attendant called a local guy who handles this sort of thing. Said local guy, a creased, windburnt, businesslike 60-something in coveralls, showed up about 20 minutes later, siphoned out the contaminated fuel, and — because we had called him from home on a weekend — somewhat apologetically charged me an amount of money that was shockingly much even by Icelandic standards. Like I said, an MSP.
We refueled the vehicle — another 18 million dollars of “Díesl” this time — and, this particular misadventure behind us, set out on our away again. Our route to the lava cave first brought us past Borganes and its adjacent fjord, bordering a scrubby green and yellow steppe at the foot of a line of steep volcanic mountains. Despite the bleakness — it was an overcast, windy day with a smattering of rain — there was a certain stark idyllic quality to the setting, as you can see from scenes like this.
The fjord itself is broad and still, and at the time we were there the tide was out, revealing a maze of low muddy shoals. Fortunately both the wind and rain died down for long enough to allow a drone flight, during which I captured these panoramas from the air:
The bridge at lower left leads directly into Borganes. But although we are sleeping there tonight, our lava cave of interest lay about a 45 minute drive beyond it. The cave — actually a lava tube — is called Víðgelmir, which like many Icelandic place names is best pronounced whilst eating a marshmallow. It sits in the middle of a lava field at the foot of the Langjökull glacier, which you can see here.
The cave is more than 30 meters underground with assorted ledges and overhangs, so we were first equipped with helmets with mounted flashlights. As you can see from this photo we were ready for some volcanic spelunking.
The entrance to the cave is suitably maw-like, and we picked our way along the, um, unadventurous wooden stairs and boardwalk, following our guide and listening to his lecture about the geology of the place.
We are not unfamiliar with lava tubes because of our time in Hawaii, but Víðgelmir is particularly impressive. It’s nearly a mile long and sports a variety of lava formations much more typical of a “conventional” limestone cave, e.g., stalactites and stalagmites, albeit very small ones. But its most (to me) unexpected feature is a consequence of its temperature, which hovers at just about freezing. Consequently there are a large number of crystalline stalagmite-like ice formations like these.
I found them particularly otherwordly. And indeed, if you get too close they break open and this thing that looks like a horseshoe crab jumps out and grabs your face, and you just know what’s gonna happen after that.
The cave tour lasted about an hour and a half, and we set out to our next destination, the Barnafoss and Hraunfossar waterfalls, adjacent to each other along a short looping walking path. They’re beautiful and would have made a great venue for a drone flight except that by this time the rain had started in earnest. Hraunfossar — the name means “lava falls” — has an unusual property: its water seems to come out of nowhere. What actually happens is that the glacial melt percolates through the surrounding lava field and emerges as a line of cataracts along the river; indeed, you can actually see the water coming out of the rock. Take a look:
Barnafoss, only about 200 meters away, means “Child Falls”, named after a rather dreary local legend about them. The story goes that one day two boys, home alone while their parents went to church, got bored and decide to follow. (The assertion that two young boys spontaneously decided to go to church on their own tells you immediately that this is a myth.) Anyway, the legend tells that they tried to take a shortcut over a natural stone bridge that crossed the falls, but fell off the bridge and drowned. The mother of the boys then cursed the bridge, and shortly afterward it was destroyed by an earthquake. This is about as cheerful as Icelandic legends get. It must be the weather. In any case, here’s Barnafoss:
You can tell from the photos how gray the sky had gotten, and in fact it was pretty much pouring by this time. So we gawked until satisfied, then retreated to the car and returned to Borganes. Our lodgings are an AirBnb, a very pleasant two-bedroom cottage overlooking the fjord. Borganes has a population of only about 3,000 but I am happy to report that we were able to satisfy Janet’s craving for pizza: there are at least two pizzerias in town, and the one we chose was excellent.
Tomorrow: further into the frozen north!
We left the Big Island 2 1/2 days ago with our usual reluctance — meaning that a commando team was required to get Alice onto the plane — but as usual have arranged to ease our transition back into non-tropical life by spending three days with our old friends Laura and Brian in Honolulu. This having become part of a pleasant yearly routine, we by now have a certain number of haunts on Oahu that we visit with them.
The first of these — it having impressed us so much in the past that we now schedule our visit around it — is the Saturday morning farmer’s market at Kapiolani Community College. Trust me, if you’re used to farmer’s markets on the mainland this one is a revelation. Here’s a panorama of a small piece of it:
The sign on the left says “Kimchi Poke Bowl”, which already tells you a lot about Hawaii: kimchi of course is Korean, whereas poke (pronounced poke-eh) is a Hawaiian specialty, basically marinated sushi (and most wonderful, I should add). At this market you can also enjoy (among many other delights) sushi sliders, lilikoi (passion fruit) popsicles, grilled giant shrimp, and kimchi sausage on a stick. And we did. In fact, the entire time we are visiting our friends here we eat very exotically and very, very well. And very excessively.
Most non-Hawaiians’ mental image of Honolulu is probably dominated by visions of Waikiki, and it is true that that iconic strand is a very visited place.
But there are in a sense really two Waikikis: the tourist one that you see in the picture above, and the one frequented by the locals, from which the photos above and below were taken.
The “local” part of Waikiki is smaller, dominated by an old World War I memorial and a decrepit and long-since-disused public swimming people, long gone in disrepair . But there is also a pleasant beach with no hotels hard upon it, and a large park filled with exercise classes, picnickers, and — on this particular day — a gathering of the Aloha Koi Club, presumably there to compare their respective decorative fish. It’s a pleasant place with a family atmosphere. There is also an old concrete jetty, perhaps 40 meters long, extending into the shallow green surf and offering an excellent platform from which to throw bread crumbs to the waiting fish. The water is clear as glass, and it’s a lot of fun watching the surgeonfish and the triggerfish (“humuhumunuknukuapua’a!”) go after their targets. That abundance of fish makes it a pretty good place to snorkel; you can see two snorkelers in the foreground of the photo above.
The central part of Oahu, north of Honolulu, is overlooked by the 550′ (16m) high Punchbowl, an extinct volcanic crater that is now home to a military cemetery. A little further north than that, perhaps 10 miles north of the city and about twice as high as the Punchbowl, is “The Pali”, or more formally the Nu’uani Pali Lookout. (Pali means cliff in Hawaiian.) It’s an overlook on the volcanic side, overlooking the central valley of the island and and flanked by the crenelated basaltic cliffs, long overgrown with vegetation. The wind howls up the cliffside from the valley below, and on especially windy days requires you to lean forward to avoid being blown over. It was unusually calm when we visited, and afforded us this view of the plain below.
Those craggy hillsides are completely typical of eroded volcanic landscapes, and make every setting a dramatic one. (On rainy or foggy days, they become looming and ominous, as you’ll see below.) And as you can see from the picture, from this 1200′ (360m) vantage point, you can see all the way to the ocean to the northeast.
Heading eastward from Honolulu quickly brings you to the eastern end of the island, Makapuu Point. It’s a commanding viewpoint from which you can easily see the islands of Lanai and Molokai on the horizon, with a glimpse of Maui as well on a really good day. Closer to shore, especially in the winter months, you can see whales, and indeed we saw a handful of them, including one performing a spectacular breach perhaps 200 meters from shore below us. We don’t see a whole lot of those around Washington DC.
The lookout spot where we parked offered an ideal spot from which to launch my drone, but I hesitated because of the cop directing cars into the lot. My hesitation vanished about a minute later when we saw a guy flying a drone about fifty feet from the cop, so off I went. I flew along the coast for a mile or so, keeping both a drone and a protoplasmic eye out to see in case the opportunity to fly above a whale presented itself. It didn’t. (It would have a lot of patience and a lot of drone batteries to pull it off; the whales do not stay on the surface for very long, and it is unlikely that I would have been able to get the drone position before the beast dove again. Those BBC and National Geographic guys have a lot more patience than I do.)
Makapuu Point is dominated by the Makapuu Lighthouse, activated in 1909 and still in use. It has the odd distinction of having the largest lighthouse lens in the US, and is also the third highest lighthouse in the country at 422′ (129m). (The two higher ones are both in California, in case you were wondering.)
There is a fairly steep trail leading up to the lighthouse. Last year we were ambitious enough to make that hike; this year I let the drone do the work. Here’s the video:
We had a gorgeous day for it, as you can see. And yes, the water really is that color, so feel free to hate us.
However, not every day is gorgeous here — only most of them — and today, our last day in the islands, was emphatically not. It rained buckets for most of the day, a relentless drenching of the sort that you only get in the tropics. Unusually, we had thunder and lightning as well. But hell, it was our last day here and we weren’t going to let a little rain stop us. Or a lot of rain. Or an insane nonstop deluge that left us cowering in the car saying, “What were we thinking?”. But we pushed on anyway, Laura bravely navigating her new car through flooded roads whose Stygian depths may well have harbored entire new species of sea life.
But we were not seized by the kraken, and made it around the coast to the North Shore, stopping at a beach whose famous landmark is an offshore island with the condescendingly racist (but nonetheless apt) name of Chinaman’s Hat. You can see why:
Trust me, those pendulous clouds represented a break in the weather. Turning 180° from this scene to face inland revealed this vista:
And now you know where Darth Vader goes on vacation.
The rain kept up all day and into the evening, our phones screaming out flash flood alerts every hour or two as they were broadcast by the authorities. (No incoming missile alerts, though.) The downpour finally tapered off about 9 PM, after we got back from our farewell dinner with our friends.
So I guess it is time to leave the islands. We’ll be spending about a week visiting various friends on the mainland before getting home for real at the end of the month. But we’re already talking about next year’s visit.
Yesterday was Helicopter Day for us, that means of transportation being far and away the best way to get a real sense of the geography and vegetation of Kauai.
We woke up with the chickens. I do not mean by this that we woke up early; I mean we literally woke up with the chickens. There are *&%^$# chickens — that is pronounced “frickin’ chickens” — absolutely everywhere on Kauai: on the roads, on the sidewalks, on the golf courses, underfoot. Today we had lunch at an outdoor food court where, for very good reason, there was a sign posted that said “Please Do Not Feed The Chickens”. I have no idea why, but the island is plain crawling with chickens. (Hmm. Somehow “crawling” doesn’t seem like the right word when discussing chickens. But “scratching with chickens” doesn’t sound right.) The consequence of all this is that there are three constant sounds that form the backdrop of life on Kauai: the surf crashing (dramatic!), the suserration of the wind in the palm trees (soothing!), and the ubiquitous roosters crowing (um…).
We made the 50 minute drive to Lihue airport, received a safety briefing, and entered a helo with four other passengers. The bird had bulbous windows in order to accommodate photography and a more panoramic view, at the expense of all sorts of inconvenient reflections and glare. (Fifteen years ago we took a similar helo tour in a ‘copter with no doors, which affords a spectacularly ideal view for the non-nervous.)
We made a clockwise circuit of the island, passing over the coastal plains; hovering next to stratospherically-high thread-thin waterfalls; banking through green valleys and Waimea Canyon (about which more shortly); and surveying the dramatic Na Pali coast. (Na Pali simply means “the cliffs”, by the way.) Here are some shots:
The flight took a little under an hour. The sights along the way included some of the venues where “Jurassic Park” was filmed.
After leaving the airport we continued on our own clockwise tour of the island, the first stop being Waimea Canyon, Kauai’s second most well-known geological feature. It is in the interior, accessible by a very winding 18 mile (30 km) road to a lookout point. The canyon itself is about 10 miles (16 km) long and 3000 ft (900 m) deep, strikingly reminiscent of a scale model of the Grand Canyon, thus:
Though very much younger than the Grand Canyon, it was formed by a similar erosive process. In the Grand Canyon’s case, that would be the Colorado River; Waimea Canyon was formed by rain runoff from 5000′ Mt. Waialeale, the second-highest peak on the island and purportedly the rainiest spot on the planet. Mt. Waialeale averages roughly 14″ (35 cm) of rain per day. You do not want to plan a picnic on Mt. Waialeale.
For our demographic there is little to do here except gawk at the declivity from the lookout point and take a bunch of pictures. It is true that there are bicycle tours that zoom down the side of the canyon, which is also threaded by hiking trails. I could plausibly claim that 35 years ago these are activities that we might have ambitiously undertaken. But I visited here 35 years ago and didn’t want to do it then either, so just enjoy the view. (Which, by the way, nicely illustrates the characteristic colors of Kauai: the iron-rich orange soil and red sedimentary stripes on the formations, dotted with emerald green vegetation.)
We snaked back down the mountain and continued our clockwise course until the road petered out altogether near Polihale State Park, at the westernmost point of the island. The beach there is spectacular: an endlessly long, broad, and flat expanse of coarse pale orange sand, terminating at the Na Pali cliffs a few miles to the north. On calm days, the water is so clear that you can see the sand being sucked up off the bottom by gentle waves as the rollers come close to shore. But that is not a sight for winter, when the surf is ceaselessly punishing.
The main problem with Polihale is getting there, since the last 4 miles of the road isn’t a road at all, but rather a spine-jangling washboard surface of packed dirt and small craters. You are not allowed to take rental cars there, and certainly not our rented Nissan Versa, which appears to be made out of aluminum foil. So I would like to state for the record that we were transported by a giant eagle, like Gandalf in “The Hobbit”.
Since this is the westernmost point of Kauai, it affords the best vantage point to glimpse the last major island in the Hawaiian chain: the “forbidden island” of Niihau, 17 miles (28 km) away. If the nickname sounds a tad melodramatic to you, here is what it looked like yesterday:
But the reason Niihau is called “forbidden” is not because the ancient gods will smite you if you land there, the above photo notwithstanding. No, you will be smitten by the lawyers from the Robinson family, a venerable clan of major Kauai landowners who own Niihau outright and maintain it as a preserve of Hawaiian culture. The residents are of native Hawaiian blood — among the very few left — and the primary language of the island is Hawaiian. Tourism is by and large forbidden, though there are a small number of special permits issued. The Robinsons also have an arrangement with the Navy, which maintains a small unmanned facility there which they occasionally use for training exercises.
How did this come about? The answer, simply enough, is that in 1864 a wealthy woman named Elizabeth McHutchison Sinclair flat-out bought the island from Kamehameha V for $10,000 in gold. It passed down through the family and in 1915 her grandson Aubrey Robinson closed it off to visitors. Aubrey’s grandsons own the island today, along with significant swaths of Kauai itself.
I’ve mentioned Na Pali a number of times on this leg of the trip, not unreasonably because it is a genuinely extraordinary sight. We have so far seen it on foot during our hike two days ago, and yesterday by air. We were supposed to have completed the trifecta by taking a boat trip to it earlier this afternoon, but the excursion was canceled because we were the only people who signed up. We have rebooked it for Saturday, so stay tuned for yet more pictures of the place.
We began the day with no little trepidation, occasioned by the proximity of the mysteriously-named Typhoon #18. We knew that we would be climbing a hillside in the town of Arashiyama to visit with Obayashi-san, the resident monk at Senkoji temple, and Mariko had hinted darkly at the ardors of ascending 200 steps to do so. The prospect of negotiating 200 stone steps in the rain did not appeal.
But the weather held, more or less, and the trek (such as it was) began with a more leisurely and scenic amble along the river at the foot of the mountain.
The 200 steps turned out to be not such a big deal, sufficiently well spaced out along the few hundred foot ascent to avoid the feeling of an endless trudge. There was even a small shrine or two along the way to remind us of our goal (which was of course enlightenment, or at least the top of the damn hill).
When we reached the temple our immediate gratification was a large temple bell, which we were allowed to ring.
It produced a deep, sonorous, and very Asian GONNNNNGGGGGG, just like you’d hope. I was enjoying this, and had already rung the thing about six times when the attendant courteously informed me that you’re only supposed to ring it thrice. So now I’ve probably gone and summoned some polycephalic demon from whatever passes for Hell in Buddhism. (Which would explain the weather that befell us about nine hours later.)
The temple is occupied by the aforementioned monk Obayashi, who lives there with his family (Japanese monks are not celibate). Our gathering place was a typically spartan tatami room, albeit one with a spectacular panoramic view of the valley and town. The decor included samurai armor.
Monk Obayashi was friendly and talkative, and with Mariko translating gave us an exposition and answered questions about Zen Buddhism and in particular the role of meditation in it. He opened the session with a lengthy chant, punctuated by a drumbeat that he tapped out while chanting. But we were to get into the act too: before beginning he handed out a phonetic cheat sheet so that we could chant along. It starts like this:
KAN JI ZAI BO SA GYO JIN HAN NYA HA RA MI
…and goes on like that for 26 more lines. I believe it is a blessing for our safe travels, but I am not actually certain of this.
He then gave us a quick lesson in how to meditate — how to breathe, empty your thoughts, etc. — and instructed us to begin doing so when he rang a bell. We would meditate, he informed us, for only five minutes or so.
Now at this point in the narrative I should observe to those readers who do not know me personally that the readers who do know me personally have already collapsed in convulsive hysterical laughter at the prospect of me attempting Zen meditation. The only way I am going to empty my mind of thoughts is by physically removing my brain from my cranium, and my personal record for sitting motionless in quiet contemplation of nothingness is approximately 9 seconds. So let us leave the topic by conceding that I am not cut out to be a Buddhist monk, a revelation that surprises exactly none of my family or friends.
Having failed to achieve nirvana but at least enjoyed the monk’s well-meaning attempt at getting us there, we headed back down the mountain towards our next stop, which was lunch at the Heki residence in the nearby town of Kameoka. But not just any lunch: we received a sushi-making lesson and ate the product of our labors. The process started with our hosts producing big bowls of freshly-made hot rice, which we had to cool by stirring and waving fans.
We were then instructed how to form it into little plum-sized balls and shown how to embed the various ingredients and toppings into them.
It was a hoot, and as you can see we also got to dress like altar boys for some unexplained reason. This particular style of sushi — little balls instead of the familiar log-like rolls — is called temari, and was no doubt chosen for us because it is particularly simple to make. It was great fun, and if we can find the ingredients at home (difficult, but almost certainly not impossible) it will make a great novelty dinner party.
Later in the afternoon we visited yet another residence for a demonstration of traditional Japanese music. This was quite a treat, a husband and wife couple who are both local experts (and teachers) in three traditional instruments. Those are the koto…
…the three-stringed shamisen…
…and the shakuhachi (bamboo flute)…
The gentleman playing the shakuhachi has not just arrived from a wild party, nor is he painfully shy. In a private setting it is not in fact required to wear a wicker basket on one’s head whilst playing the instrument; he was demonstrating how he plays in public when soliciting donations for his Buddhist temple. The wooden box on his front is the equivalent of a busker’s hat, for collecting alms for the temple; he will walk the streets and play, and the hat — which he can see through — represents the boundary between the secular and spiritual worlds. It separates him from mundane reality while he is playing for the gods. It’s also a big hit at parties.
The music was haunting and beautifully played. Afterwards, we all got the opportunity to play the instruments, with pretty much zero success as you’d expect. With one exception: here is Alice — and I swear this is true — successfully picking out “Old MacDonald Had a Farm” on the shamisen, which may well be some kind of first.
Dinner this evening was in Kyoto’s Gion distract, a.k.a. the geisha district. In Kyoto, geishas are known as geikos — no insurance company jokes, please — and their apprentices are called maikos. You see quite a few of them out and about in the Gion, complete with white makeup — or rather, you do when you are not in the middle of a typhoon. We saw a few in the street en route to dinner, when the rain was just beginning — my bell-ringing transgression of earlier in the day having finally caught up with me — but an hour or two later this was the scene when we left the restaurant:
Full-bore torrential downpour. With luck the storm will pass tonight so that we will have decent weather tomorrow, which is our last day here. Alice will be going on a garden walk (weather permitting), but I have few plans beyond some last minute gift shopping so there may not be much to report in a final post. We’ll be home in roughly 48 hours. This has been another great trip.
Long day today, and a rainy one at that. It would seem that the northern end of the island is being visited by Typhoon #18 — they gave them numbers instead of names here, which may be the only example on record of Japanese being less colorful than Americans. We’re in Kyoto now, towards the south, and are not receiving the full brunt of it, but it has been mostly a gray and rainy day. Not that this slowed us down.
It is getting late after a long day so I will moistly let the photos do the talking in place of my usual sparkling commentary. So to begin, we visited the Kiyomizu Buddhist temple, which is distinguished by three things: (1) a huge five-story pagoda; (2) a large stage where Noh performances were held; and (3) a platform on the aforementioned five story pagoda that people jumped off of. I’ll answer the obvious question in a moment, but let’s start with some photos of the environs.
OK, now why exactly would someone jump of of something that high? The answer is easily summarized in one word: religion! Yessirree, when it comes to convincing people of the virtue of doing suicidally stupid things, it’s hard to beat religion. I had kind of figured Buddhism to be immune from this sort of thing, but apparently not. The deal was, you made a wish and jumped off. If you survived, your wish would come true. Personally I’d go with the old coins-in-the-wishing-well approach, but to each his own. Mariko claimed that the survival rate was 80%, which seems highly unlikely to me. In any event, the practice was discontinued a century or so ago.
There’s a beautiful view from the top, as well as a number of other smaller and very colorful ancillary temples. Here’s the view and some of the architecture.
Our next stop was the 12th century Sanju Sangendo Hall. Its claim to fame is a room full of Boddhisatva Buddhas, a thousand of them, each qbout 5 1/2 feet (165 cm) tall and strikingly detailed. No photos are allowed, alas, but here is a shot from Google Images. (In the dim light of the hall they actually appear much more brown than the golden tone in the photo.)
It is quite an amazing sight. And an ironic one as well, for these particular thousand Buddhas – each with 42 arms — are the so-called Kannon Boddhisatvas, Kannon being an incarnation of Buddha who sees everything that happens in the world. Why is that ironic? Because if you were a Japanese entrepreneur who wanted to found a camera company whose name symbolized the all-seeing Buddha, your cameras hopefully seeing things all over the world, you would name your camera company…… Canon! Ta-da! I have now answered a question that you never thought to ask! Canon cameras are named after the thousand Kannon Buddhas…. the ones you’re not allowed to photograph. (As it happens, I shoot with a Canon EOS T1i, so it seems only fair that the authorities should have allowed me to take pictures. They didn’t see it that way.)
Well, at least here is a shot of a nice hallway outside the temple.
We had a delightful encounter as we were about to leave the grounds, when I was accosted by a gaggle of middle-schoolers on a class trip who had a homework assignment to interview and English speaker in English. They were the most charming group and I happily answered their questions about where we were from (“Washington, DC.” “OOOOoooooohhhhh…!”), how Japan was different from the US, why we had come to visit, what was our favorite Japanese food, etc. We spent about ten very enjoyable minutes with them — you have never encountered a more polite set of adolescents — then took each others’ pictures.
Next stop: the Golden Pavilion. Why is it called the Golden Pavilion? Duh.
Its official name is Kinkaju-ji, and it dates from the mid-15th century. That is real gold leaf covering the outside, and as a result of this strikling distinction it is one of the most popular tourist attractions in the region. Which is another way of saying that the place was mobbed, and since it was raining at the time the challenge became navigating the sea of umbrellas without losing an eye.
We moved on to the Nijo Castle, which was the local shogun’s residence during the Edo period (1603-1871) when the shoguns ruled the roost. The emperor was on the throne, of course, but the shogunate held all the power. They would probably have offed the emperor but for the fact that he was a divine descendant and thus much revered by the general population. Killing him would likely have sparked a revolt that would not have needed well for the shoguns, so they contented themselves with actually running things and let the emperor be.
The exterior of the castle is imposing, though very unlike a European castle. It has high, ornate gates and stark dark wooden walls.
The Nijo castle is also known for its beautiful gardens, said to be among the most iconic in Japan.
No photos are allowed inside. It is a maze of high-ceilinged square hallways with dark wooden beams and white paper walls. There are a series of large, spartan anterooms — little more than tatami mats and wall carvings — where visiting functionaries awaited their audience with the shogun. But the cool thing — and it is very cool — is that the floors are designed to squeak so that would-be assassins would be unable to sneak around. And we are not talking about the random squeaks that you get from loose floorboards in your house: these floorboards are supported by metal angle brackets that establish a small air gap between the boards and underlying support beams, so that when you step on them the metal bends and the nails through it “chirp”. It is a most remarkable sound: as a group of people (like our tour group) walk down the hallway you hear what sounds for all the world like a soft metallic discordant chittering flock of birds. As busloads of tourists make their way through the building it sounds like you are surrounded by huge numbers of vaguely ominous robot nightingales. It is quite an amazing effect.
We ended the afternoon with a tea ceremony, which I won’t bother describing in detail since this is the second one we’ve had on this trip. But the young woman performing the ceremony was quite graceful and pretty, so here are a few pictures of her anyway.
I took the last one as we were leaving, when I asked if I could take her portrait. (Alice thinks the photo looks like an ad for Japan Airlines. I’m OK with that.)
As we headed back to the hotel, Mariko proposed an “architecture walk” through Kyoto railway station before dinner. I confess I was unenthusiastic about the idea, since we were tired and I had a mental image of a decidedly unexciting walk: “These roof beams date from the early shogunate…”, that sort of thing. But I had to go along: I lost my lens cap yesterday and Mariko had told me that there was a camera store at the station. Hoo boy, was my expectation off base. My interest would have been a lot higher had Mariko explained that the Kyoto railway station architecture dated from the early 23rd century, e.g.:
Absolutely unbelievable…the place is pure Blade Runner, except for the Las Vegas parts. It is vast, a five-story science fiction shopping mall with animated LED staircases and spidery skyways, attached to a train station. Do not fail to visit this place at night if you are ever in Kyoto.
New lens cap acquired, and we headed to dinner, the uniquely Japanese okonomiyaki. It’s a teppan yaki kind of thing, like Benihana without the steak or the theatrics. Rather, the entrees are various types of pancake-like agglomerations of meat, noodles, and cabbage, cooked on the grill at the table. Satisfying, tasty, and cheap.
Hmmm, I thought I said something about not writing much. I guess I can’t help myself. Anyway, that was our day…
Man does not live on hot springs baths alone, so the original plan for today was to include a short cruise on Lake Ashi, the scenic lake on whose shores Hakone sits. It became clear pretty quickly that that wasn’t going to happen, because it was this kind of day:
On and off drizzle, wind, and heavy fog rolling in off the lake made the prospect of a cruise pretty unappealing. The boat operators thought so too: the cruise was canceled as our bus pulled into the parking lot. However, our tour lead is nothing if not flexible, and so the day’s itinerary was immediately reshuffled accordingly.
Our first stop thus became Narukawa Art Museum, a privately-owned museum that sits above the shores of the lake and offers a commanding view of it. Today the view was more opaque than commanding, although if you like fog you would have been impressed. The museum’s collection is small and pleasant to browse, almost all contemporary stuff in a spare, almost Scandinavian setting.
A guide gave us a short presentation about the collection and some of the artists’ techniques, and we were turned loose for an hour or so on our own.
As you can tell from that last photo, the Japanese are heavily into ridiculously detailed carvings, frequently out of a single piece of marble, or jade, or whatever. A raging case of OCD is a big plus if you are in this line of work. Speaking of which…
Our next stop was the workshop and store of a nationally-recognized master of marquetry, which I confess is a word that I had never heard before. You know what it is, but in case you didn’t know what it was called either, Google defines it as “inlaid work made from small pieces of variously colored wood or other materials, used chiefly for the decoration of furniture.” If you go to Google Images you will immediately recognize it as this stuff:
I had never really thought about how it is made, but the process and skill are level are extraordinary. The craftsman basically shapes short (an inch or two, sometimes more) rods of different types of wood — each with its unique color — such that their cross sections represent every shape in the final image, then fits and glues them together like a thick jigsaw puzzle. He then cuts slices through the assemblage to make multiple copies of the finished image. In some cases those slices are as thin as a piece of paper; he uses a wood plane to shave off a slice of absolutely uniform paper-thinness. There are no paints or dyes or used; all of the colors are the natural wood. And even the most finely detailed features in the image, which look they have been drawn on using a pen, are made using microscopically think slices of wood, shaped with a jigsaw whose blade looked to be about the thickness of a human hair. It was a very, very impressive demonstration, and here is the master in action (using a wood plane):
In addition to planar objects such as coasters and hangings, he also makes bowls like the one you see in the foreground. You can see that it is resting on a glued-together stack of cylinders (they are actually triangular, hexagonal, and octagonal in cross section); the bowl is created by carving (i.e., hollowing out) a stack like that one. And he also makes puzzle boxes — you know, those fancy wooden boxes with hidden panels that you have to find in slide in the right order to open it. He makes phenomenally complex ones: he demonstrated one that required seven steps — and I swear there was not a seam to be felt — then held up one that required fifty. He said the most complex that he had seen required — wait for it — seventy-two steps to open. I mean jeez, it would take you 20 minutes to open the damn thing even if you had correctly memorized all the steps. And if you haven’t, well, I can promise you that the only way you ever going to see the inside of that box is with a saw or a sledge hammer.
And speaking of wood, Hakone is also known for having a small cedar forest. There is an easy strolling path along its edge, adjacent to the historical road that connects Osaka to Tokyo. On this misty, drizzly day the forest looked like this:
The trees are tall and the place feels ancient, rather like Muir Woods with its redwoods.
Our final stop of the day was another art museum, the Hakone Open Air Museum. It is, fortunately, not entirely outdoors since the weather had not yet started cooperating. It comprises three very modern gallery buildings spread out over a park-like area criscorssed by poaths that connect the buildings and dotted with sculptures by (to our surprise) very famous Western artists: Henry Moore, Brancusi, Giacometti, Modigilani. And one of the gallery buildings was devoted entirely to an impressive Picasso collection, which we were rather surprised to find here.
After walking around all day, however, our personal highlight of the Open Air Museum was an outdoor hot springs foot bath at a temperature of 41C (106F). You pay 100 yen (about $1) for a towel, and you can soak your aching tootsies for as long as you like. Of course, when it is raining — which it was — then your enthusiasm for doing so is somewhat dampened, literally. However, that was not going to stop Alice:
Dinner this evening was a another artistically-arranged 10-course traditional Japanese meal. (The courses are quite small, so it is not the feat of gluttony that it sounds like.) And afterwards, we were given a lesson in “gift wrapping cloth) by Mariko. As you may know, the Japanese are big on gifts, and the presentation no less than the gift itself is very much a part of the ethos. If you buy something at a department store, they will wrap it for you in such a transcendentally artistic way that your heart breaks when you are forced to open it later. But for many occasions — visiting friends, for example, or possibly even having your tires rotated — mere paper will not do. No, special cloth is used for this purpose, and Mariko gave us each a couple of brightly colored swaths, each about a meter on a side, then showed us how to wrap a gift in it.
It looks deceptively easy when she does it, as a few of our travel mates will attest:
It wasn’t pretty.
And that pretty much wraps up Hakone. Tomorrow we take the bullet train to Kanezawa, where we will stay for a few nights before heading on to Kyoto.
After all this discussion of artistic stuff, I will close this entry with a nonsequiter about toilets. Well, it’s not altogether a nonsequiter, just mostly. One of the common factors binding all of the aesthetics that we witnessed today was a very high degree of the fastidiousness for which the Japanese are justly known. This mindset makes for delicate art but makes the whole issue of, um, elimination somewhat problematic: there is noting fastidious about what you are doing in the bathroom when, say, suffering a bout of digestive upset. So in order to preserve everyone’s delicate sensibilities, many toilets — on the trains, and in our hotel rooms — are equipped with noise machines. While you are proceeding with your unspeakable excretory business you push a button and the machine emits a continuous loud sound — water running, white noise, or the sound of continuous flushing — that prevents the sounds of your personal biology from impinging upon the attention of whoever is in the next room. I have to say that my reaction to this is, “C’mon, people, grow up!” I mean, really.