Posts Tagged With: kona

Hip, Hip, Hula

On the third Sunday of every month — which was yesterday — part of the waterfront main drag of downtown Kailua-Kona is closed off to auto traffic in favor of the “Kona Sunday Street Stroll”, which is pretty much exactly what you are picturing. About 100 local vendors set up tents, and it’s worth an easy hour or so to stroll among them. Some of these are for food, including that Hawaiian perennial, shave ice, and — our personal favorite — a local lady who makes popsicles out of fresh-pressed local fruits. Trust me, you want a lilikoi (passion fruit)-banana popsicle. I also tried a rather bizarre mixture: a pineapple-papaya-chili pepper popsicle. The chili peppers were in little chunks, scattered dangerously throughout. I came to think of it as a Menopause Popsicle: you’re happily working your way through the sweet refreshing fruity ice, when POW! Hot flash!

The non-food vendors: jewelry, tee shirts, photographers (you have no idea how many metal-printed photos of lava and sea turtles are out there), and herbal panaceas. The latter are usually advertised as having been extracted from some species of flora that no one has ever heard of, but which can nonetheless provide relief from pretty much everything.

Certainly the highlight of our walk — besides the popsicles and shave ice — was the hula demo on the grounds of the Hulihe’e Palace, the former Kona waterfront vacation home of Hawaiian royalty, built in the early 1800’s. Here was the scene yesterday at about 4:30 PM:

Hulihee Hula 02172019-060-Edit

Hula — especially Hawaiian hula – is a complicated and subtle art form. Many mainland hula demonstrations include an admixture of Tahitian hula, which is the one with the very rapid tempo drumming. the tall headdresses, and the women with the inhumanly fast hips. Traditional Hawaiian hula is different: the pre-Western kind, called hula kahiko, is a story-telling medium centered on the arms, hands, and face. It’s performed to a song and accompanied only by a percussive double gourd. Here’s what I mean by it being gestural:

I like to think that the pose on the left means, “Please silence your cell phones.” Other examples from yesterday:

Hulihee Hula 02172019-043

Hulihee Hula 02172019-006

At this point, someone out there who is reading this post is thinking, “Wait a minute. What’s with the 19th century prom dresses? Where are the grass skirts?” Here’s where it gets complicated.

First of all, the original Hawaiian female hula dancers never wore grass skirts. They wore very elaborate, multi-square-yard skirts made of kapa cloth, which is a fiber made from a certain pressed tree bark. And they did not wear coconut-shell bras. (No sane woman anywhere ever has; they’re some late 19th century guy’s fantasy, which I’ll get to in a moment.) They did not wear any tops at all.

The whole topless women thing did not sit well with late 18th century missionaries, or at least with their wives. It became necessary to cover the immodest heathen, and so they did. To keep the missionaries placated the hula halaus (schools) adopted the grandmotherly garb that you see above, and much of both modern day (‘auana) and traditional (kahiko) hula are performed that way. Men’s hula, on the other hand — much more stylistically aggressive and less subtle than the women’s dance — was and still is performed in loincloths and maile leaf adornments.

So where did the whole grass-skirt-and-coconut-bra shtick come from? The answer, believe it or not, is vaudeville. Vaudeville got its start in the 1880’s about a century after Cook’s arrival and eventual death in the islands. Knowledge of Hawaii’s existence had seeped into popular knowledge by then, and theater producers were always on the lookout for exotic material for their productions. “Girls from a tropical island” was bound to occur to somebody sooner or later. But the topless thing clearly wasn’t gonna fly, and the authentic kapa skirts weren’t going to work either: they were expensive, labor-intensive to maintain, and, well, insufficiently sexy for their intended purpose. Enter the grass skirt: cheap, easy to fix or replace, and just a bit suggestive. Ditto the coconut bras. The skirts also had a certain historical precedent in that they did somewhat resemble Tahitian hula skirts, which are indeed made from grasses and leaves but are ankle-length and thick.

This dress scheme was wildly successful, and soon every vaudeville act with a Hawaiian number was dressing their dancers in grass skirts, to the point that it eventually became everyone’s default mental image for Hawaiian hula. It was, in its way, one of the first viral memes. And of course, it filtered all the way back to its point of origin: if you plunk for the $49.95 Colorful Hawaiian Luau at whatever hotel you’re staying at, odds are good that you’ll see a hula dancer in a not-particularly-Hawaiian grass skirt.

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There are a number of places on Earth that you can identify solely from a traditional musical instrument: bagpipes, didgeridoo, shamisen, banjo . Hawaii is on the list, and the instrument is of course the ukulele.

Ukulele Sam 2019-006

The name translates literally as “jumping flea”, though no one is completely sure why. One theory is that it simply refers to the way a player’s fingers jump around on the frets. Another is that refers to an individual, Englishman Edward William Purvis, an officer under Hawaiian King David Kalakaua in the 1880’s, who was an expert in the instrument but was said to be rather flea-like himself, i.e. small in stature and rather twitchy. Take your pick. In either case, it’s known to be a fairly recent instrument, developed in the 1880’s by hybridizing a few Portuguese stringed instruments brought to the islands by immigrants, brought from Madeira and the Azores to work in the sugar cane fields.

If you’re in the market for a uke in the Kona area, or are just looking for lessons or a dollop of local lore, your go-to place is the Holualoa Ukulele Gallery, which is something of a local institution, occupying a former post office dating from the early 20th century. Holualoa itself is a pleasantly seedy hillside village reminiscent of what an Old West town might look like if the sheriff’s office and saloons were replaced by art galleries.  There are quite a few of the latter, some of very high quality. There is a lot of beautiful art to be found there, much of it created with local woods, e.g. koa and Cook pine. You can count some of the ukuleles among these.

The owner of the gallery is Sam Rosen, himself something of a local institution.

Sam is a ukulele maker, the term for which is a luthier. (Though a lute is a very old instrument, the word luthier itself dates from about 1850 and technically refers to any maker of stringed instruments.) Sam is full of history, a genial raconteur of such gentle persuasion that Alice has felt forced to warn me that she will not tolerate my taking ukulele lessons. Well, boo.

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Poke Your Eyes Out

That’s “po-keh”, which sort of rhymes with “okay”, as opposed to “poke” that rhymes with “croak”. But I am getting ahead of myself.

We are back on the Big Island, comfortably ensconced in our beautiful annual rental house for the next month or so, and enjoying our view of the blue, blue Pacific while all our East Coast friends and family gnash their teeth in envy. Feel free to gnash along: it’s gorgeous here. Photos in later posts.

Our first order of business upon arrival was picking up our rental car, which was, um, shall we say, more “expansive” than anticipated. Expecting a midsize SUV or large Jeep, we were presented with a Lincoln Navigator, a Brobdingnagian exercise in libertarian consumerism of such exuberant eco-criminality that Greenpeace now has a price on my head. A technology-laden behemoth, it is the size of a full-grown bull elephant and has a fuel economy measured in “crushed dinosaurs per mile”. At speeds above 60 mph, or whenever in four-wheel-drive mode, it requires its own convoy of refueling tankers. But it is roomy, quiet, and comfortable, so we’ll live with it. At least until I have to parallel park somewhere.

But mostly I wanted to talk about food, that being one of the sybaritic mainstays of our annual sojourns here. As you may know, the de facto state food of Hawaii is…. Ha! You were going to guess poi, weren’t you? But no. Poi is indeed a traditional staple here, but for historic reasons dating from World War II rationing, the go-to food in these parts is pig parts in a can, i.e. this stuff:


Hawaiians eat more Spam than any cohort in the known universe, or at least the U.S., an average of 5 cans per year for every man, woman, and child in the state. And as you can see from the photo, it comes in a wide variety of disguises flavors to suit every taste. That is, every taste except ours, since we never touch the stuff.

What we do eat a lot of here, is poke, which is a genuinely traditional Hawaiian food that has gone mainstream. Poke (remember, it is pronounced po-keh) can take many forms but is most commonly served as marinated ahi, i.e. raw yellowfin tuna. The word itself is Hawaiian for “sliced”.

Japanese cuisine has a strong influence on poke’s preparation, Japanese being the second largest ethnic group in the state, slightly behind Filipino. For one thing, poke is prepared with an enormous variety of marinades that include both Japanese and Hawaiian influences, such as soy sauce. And for another, at even the most hole-in-the-wall poke restaurants, it is presented with a certain symmetric Japanese aesthetic, as you can see from this photo of my lunch a few hours ago:


We had this little masterpiece at “Da Poke Shack”, just down the road from our house; it is possibly the mostly-aptly named restaurant in existence. That’s seaweed salad in sesame oil at the upper right, white rice with dried seaweed and sesame seeds at lower left, and two flavors of ahi poke in the other two diagonal corners. It is a little bit of culinary heaven that has now made its way to the mainland US with varying and usually dubious degrees of authenticity. I can assert from personal experience that if you are eating it anywhere outside of Hawaii with fish more than 10 hours old, you are not experiencing the good stuff.

Having thus officially alerted our digestive systems to our arrival in Kona, we moved on to the largest local farmer’s market, a frequent stop of ours. We bask for a while among the tropical fruits, a spectral riot lilikoi (a.k.a. passion fruit), rambutans, soursops, mangoes, tiny “apple bananas”, carambolas (= star fruit), and of course pineapples. The faces there are comfortingly familiar: we see the same multi-ethnic smiles at the stalls every year.


(This picture dates from three years ago, and we bought lilikoi from the same woman today. I showed her this photo on my phone; she gave Alice a big hug and asked me to email it to her.) We loaded up with a few bags of fruit, our eyes ever larger than our stomachs, before moving on somewhat reluctantly to the more conventional and cringingly expensive grocery shopping at the Kona Safeway. We will be entertaining a lot of visitors during this year’s stay; there will be many such trips to the farmer’s market, the Safeway, and to the KTA, a local family-owned grocery chain.

So in summary, we’re here, happily nestled into our house in the delightfully-named area of Kahalu’u-Keauhou. More posts later as this year’s adventures unfold.

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Hawaiian Sky

It is for several very good reasons that Mauna Kea is the premier astronomical observing site in the world: the summit is above half the atmosphere and its attendant water vapor (astronomers hate water vapor); it is accessible with good local infrastructure; and — I know this will shock you — it is dark. Very dark. The entire population of the Big island is only 150,000, and the nearest towns are tens of miles away from the telescopes, their lights often concealed under a layer of clouds. And so the night skies on the Big Island are nothing short of glorious.

You do not have to be atop a mountain to enjoy the stellar show — in fact, in some ways it’s better if you’re not. (And despite our plans, we have not made it to Mauna Kea’s summit on this trip: conditions have been too cold and windy.)  So my friend Jim and I struck out from Kona with our cameras and tripods, to a point well away from town about 10 miles inland and about 2500′ (760m) up. With the exception of a couple of hillside dwellings, it was, as they say, as dark as the inside of a dog. Dark enough, in fact, that the unwary photographer can stumble around blindly and knock over his tripod at the end of the night. Fortunately the tripod mounting mechanism made the supreme sacrifice and absorbed the blow of the fall, sparing my camera with its rather expensive lens. But now I need a new tripod mount.  In any case, here are some samples of our work from two nights ago:

Saddle Road Night Sky-005That tongue of stars sticking up from the middle is indeed the Milky Way, as you no doubt suspected. The dots of light at the very bottom of the picture, about one-third of the way in from the left, is Jim setting up his camera by flashlight. And the red glow that you are wondering about is real, neither a Photoshop fake nor the incandescent lava from a distant volcano. It is the actual color of the night sky in the opposite direction from the Sun, i.e. eastward at 9 PM when this picture was taken. I’ve exaggerated it in intensity (thank you, Photoshop) so that you can perceive it in the image. It is a well-known celestial phenomenon called gegenschein, the reflection of sunlight off of interplanetary dust orbiting in the plane of the solar system. In very dark locales it is just barely visible to the naked eye, but a long (6 second) camera exposure of the dark Hawaiian sky brings it right out. Pretty cool, huh?

If you don’t believe me — and I don’t know why you wouldn’t, since I am a professional and not to be taken lightly, dammit — here’s an equally long exposure taken in the opposite (westward) direction:

Saddle Road Night Sky-008No red glow. If you are wondering why you can see the spooky tree and the grass since I earlier stated that the scene was pitch dark, the answer is that I was standing off to the side shining my cell phone flashlight onto the tree in order to get this precise effect. (Photographers call the technique “light painting”.)

One of the things that we tend to forget in this age of crowded cities and light pollution is that there are a surprising number of glorious astronomical objects that are visible to the naked eye or in small binoculars.  The camera sees them just fine in these dark island skies, though. Here is zoomed-in portion of a shot of Orion, the hunter:

Saddle Road Night Sky-099

Those are the three stars of Orion’s belt at upper left, visible even in cities. But what’s that big blob in the middle? It is the Orion Nebula, a.k.a. M42, an enormous cloud of gas and dust 12 light-years across, a stellar nursery where massive, hot stars are condensing and igniting. Here’s what M42 looks like through an actual telescope.


Obviously one cannot see that kind of detail in a photo taken with a conventional mid-sized camera with a 17mm wide angle lens, but if you look at it in my photo you can  clearly see the shape and a bit of the color. Slightly below the nebula in my picture you can also see two bright stars. The upper is called Iota Orionis. The lower is actually a double star system called Struve 747: if you look carefully at it you can see the dim companion star.

So it was a photogenic night. Here I am in situ, taking the above pictures and illuminated by the light of Jim’s flashlight:

Saddle Road Night Sky-007

You’ll note that I’m wearing a sweatshirt and long pants, not my usual attire here. But it was an unusually cool night and we were a few thousand feet up; the temperature was about 55°F (13C).

I’ll close this post with a photo that has nothing at all to do with the sky but which I feel like throwing in because it is a night shot, albeit not looking heavenward. The Aloha Theater is a venerable performing arts venue in the nearby delightfully-named town of Kealakekua (pronunciation lessons available for a small fee). It was built in 1932 and is still in use — they’re performing Beauty and the Beast as I type this — and its architecture is typical pre-war (and thus pre-tourist-boom) Hawaii. It has a pleasantly anachronistic feel to it that I tried to capture.

Aloha Theater-002This year’s stay on the Big Island is winding down; we go to Honolulu in 4 1/2 days, followed by eight days on the mainland (California and Arizona) and then home. We’re going diving tomorrow, and in the following day or two I hope to shoot some drone footage of downtown Kailua that I can post before we depart.


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Hapuna a me ka Lapakahi

…which is not as complicated as it looks. It simply means “Hapuna and Lapakahi” in Hawaii, those being the names of two places on the Big Island that we visited yesterday.

Hapuna Beach is one of the best known beaches on the island, an achingly photogenic stretch of dun-colored sand caressed by a gentle turquoise surf, and framed by two jagged lava promontories at either end. Here’s a panorama from the drone, taken during yesterday’s visit:

Hapuna Beach drone-001

Besides the obvious beach and surf, there are two other features of note: Kohala mountain bulging gently above the horizon at left, and the luxurious Hapuna Prince Beach Hotel at far left, regally overlooking the scene. The hotel is enormous and beautiful; several years ago we had the privilege of staying there for four or five days on someone else’s dime while attending a boondoggle conference. The mountain is also enormous: a mile-high, 200 square mile (500 square km) extinct volcano that essentially is the entire northwest corner of the Big Island.

Conditions are not always this idyllic at Hapuna. The surf can be rough, although the bottom is sandy — unlike the other, rockier beaches on the island — and so a rough surf is far less dangerous than elsewhere. And if the wind is high you can get sandblasted whilst attempting to enjoy yourself. But these are the exceptions. Most frequently the place looks like a postcard and it is a popular destination for sunning and body surfing. Here’s a 2-minute drone flyover video to give you a sense of the place:

(As you can tell, I’ve gotten heavily into flying my drone on this trip. But I dare you to tell me that this is not seriously cool.)

Neither Alice nor I are sunbather types. For one thing, when I am in strong sunlight my mottled pasty complexion moves the state of my skin almost instantly from “Anemic Vampire” to “Crimson Crispy”. In the words of Woody Allen, “I don’t tan, I stroke.” And Alice grew up in Oregon, where one’s best opportunity to get a tan requires dodging the raindrops. So we hung out for 45 or minutes or so with our visiting friends, then moved on.

Our next stop, further up the coast in Kohala, was a little more cerebral: Lapakahi State Historical Park. It’s the ruins of an ancient coastal village, about 600 years old. The name means “single ridge” and it is an array of ruins and reconstructed structures spread out along a rough lava coast and threaded by a mile-long interpretive trail. Like so many archaelogical sites it seems to make the most sense when viewed from above, so here are a couple of aerial shots:

Lapakahi drone-002Lapakahi drone-001

In addition to the ruins, the offshore area is a Marine Life Conservation District. The interpretive path takes you past a variety of structures in various stages of deterioration or, in some cases, reconstruction. There are dwellings, canoe storage houses, salt-making pans, and a couple of kōnane games, the latter being a lot like Chinese checkers. It’s played on a lava “board” with a grid of hollowed out pits, with alternating black and white stones placed in the pits and variously moved around per the rules.

The aerial views give you a sense of the layout of the place, but, truth to tell, when you are following the path it mostly feels like you are walking among a random collection of low lava walls of uncertain purpose. Which, I suppose, is why I am not an archaeologist. Nonetheless, the place has an enjoyably eldritch feel to it, the susurration of the surf and the dark rough lava walls invoking a real sense of mystery and age. Or to put it another way, it feels just a bit like being inside the beautiful old computer game Myst. Here’s a video that I took by flying along the coast, so that you can see how large and spread out it is.

The surf has been high and the weather on the windward (eastern) side of the island rainy for the past few days, so we have confined our roamings to the Kona coast and the western side of Kohala to escape it. But things look better for the next few days. Tomorrow we will try and make it to the 13,802′ (4205 m) summit of Mauna Kea where the conditions are expected to be clear, provided one is willing to tolerate sub-freezing temperatures and 20 mph winds. They’ve had a lot of snow up there this winter, so if we are lucky then I will have some “snow in Hawaii” photos to post.



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Crashing Waves

The Big Island is built out of three active volcanoes (Kilauea, Mauna Loa, and Hualalai), one dormant one (Mauna Kea), and one extinct one (Kohala). The Kona coast lies in the shadow of two of the active ones: Mauna Loa and Hualalai. Most of the Kona district, in fact, sits on the slope of Hualalai, which last erupted 200 years ago and is waiting patiently to play serious havoc with the local real estate market at some time in the indefinite future.

So as you would imagine, lava rock is not exactly a scarce commodity around here; as you’ve seen from my previous photos, most of the coastline is lava rock in various degrees of pulverization. One of the most dramatic illustrations of that feature is a locale called “End of the World”, a line of lava cliffs pummeled by high surf that puts one to mind of what the beaches might look like in Mordor. Here are a couple of photos to give you the idea. (The first is from the drone, directly offshore, and the second is taken from a hillside a few hundred meters down the coast.)

End of the World aerial-003End of the World Canon-003

Not your ideal swimming locale, a rather obvious fact that does not prevent the occasional idiot from going mano a mano again Darwin and losing. (Two years ago, just around the time we moved into the house, one of these benighted daredevils jumped into the water from the top of the cliffs and — surprise! — was unable to figure out a way back up.  A helicopter was dispatched but was too late to save him.)

So although I am not even remotely tempted to perform that particular stunt, it is an ideal venue to snag some dramatic aerial footage via drone, so here is a short video of our visit yesterday. (Stick around till the end of it: there was a sightseeing boat about a mile offshore that I was able to catch up to and play peekaboo with.)

We went back again today. The surf was far calmer than yesterday, but we don’t need the drama to have a nice end to the day here: a Hawaiian sunset will do nicely. So here it is:End of the World Canon-002

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Fish Poop Beach

… is not the name of my new emo band, though perhaps it should be. It is, rather, the answer to the question that I was puzzling over in my previous post, namely: where do the Big Island’s white sand beaches come from? And the answer is: fish poop. Parrotfish poop, to be specific.

(Photo from Waikiki aquarium, not me)

Yes, really. This guy and his cousins eat coral and excrete prodigious quantities of white sand. You can actually hear them in action when you’re snorkeling: a ubiquitous crunching, crackling sound. (You’ve got to have really good teeth to eat coral.) And you  also frequently see them, um, producing the end product: a granular white stream from their posterior. I have seen that countless times and never made the connection, for which I doubt anyone would blame me.

I was quite inebriated with this outré new knowledge, and so immediately attempted to show off by interrogating our weekend visitor, the daughter of some old friends who is here with her husband and children. “Hey Johanna,” I  crowed, “you know where all this white sand comes from?” Unfortunately in my excitement I had momentarily forgotten the critical fact that Johanna has a PhD in Science and Public Policy relating to….. coral reefs. She looked at me contemptuously and said, “Parrotfish poop. Have you forgotten what I do for a living?” Damn.

Despite my humiliation, we enjoyed an outing to one of the few Parrotfish Poop beaches on the Big Island, a nearby scenic venue variously called White Sand, Magic Sands, and Disappearing Sands. The latter two monikers stem from the historical propensity of this particular beach to  disappear for a while every year or so. Some fluke of the local topography makes it particularly susceptible to being washed away by storm surges. You can see it happening on a very small scale on the seaward side of the surf in this aerial shot, light brown clouds of sand being stirred up and carried away behind the waves.

I of course took the photo with my new drone, whilst flying up and down the coastline surrounding the beach. So I’ll close with this four-minute video of that flight, which though not much of a cinematic achievement will give you a pretty good sense of the environs:





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“Da Drone, Boss, Da Drone!”

We arrived on the Big Island yesterday afternoon, about 30 hours ago as I type this, and though we are still coping with East Coast-to-Hawaii jet lag — I woke up at 4 AM today — we have nonetheless settled right in to our tropical home away from home. And it feels like that, too, i.e., the home part: this place is real easy to get used to, doubly so since this is our third winter here. Our goal has now become convincing all of our family and friends to move here so we can stay for good.

We have spent the day variously basking on the lanai (known as a patio just about anywhere else) and running various errands, the latter mostly in the form of grocery shopping or buying items that we forgot to bring. Those missing items included hats (I would not recognize Alice without her floppy garden hat) and the wall charger for my camera batteries.

But I did manage to execute a couple of short drone flights so that I can give you a bit of a feel for the environs.  I am still very much learning the fine points of getting good photo and video results from the thing — you know, niceties like steering and camera settings — but nonetheless here is today’s result:

You will notice the ubiquity of lava rock, e.g., the rather uninviting jagged ebon expanse adjacent to the swimming pool at about the one-minute mark in the video. That’s what the whole complex would look like were it not for the intervention of developers. In fact, in significant measure that’s what this whole side of the island would look like.

You’ll note similarly that the shoreline — about 250 meters from our house as the drone flies — is quite rough-looking. It’s that lava again, pretty much up and down the coast. But there are a number of nice beaches, mostly of the black sand variety where the lava has eroded. There’s quite an attractive one just another couple of hundred meters up the coast, just beyond where the video ends. (I started getting some radio interference and so brought the drone home earlier than planned rather than risk losing control.) You can also see that the water is quite clear, with coral reefs visible in the shallows. The snorkeling around here is superb.

About 45 minutes up the coast from here is an enormous, picturesque, and very popular white sand beach called Hapuna. I confess to being puzzled by its geology. Black sand I get; it’s just broken down lava. But where did the white sand come from? Some research is required, but not tonight.

My drone expedition was cut short when the property manager — a cheerful mustachioed man — tootled over in a small vehicle and rather apologetically asked me to knock it off. It’s not forbidden to fly drones in the complex, he allowed, but a couple of the residents were freaking out so would I please stop? So I did. I had in fact canvassed a couple of the neighbors in advance to make sure they were OK with it (they were) but I obviously couldn’t poll everyone and apparently missed the paranoid ones. Jeez, you’d think that they had all received some kind of false alarm on their cell phones about incoming missiles…..


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Hawaii Sky-O

We return to the Big Island in a couple of days, and will be there and in Honolulu for about a month. Now, reading those words, you may think that our time in Hawaii consists of watching the sunset from our lanai as we sip absurdly sweet drinks with little paper umbrellas in them, or swimming among riotously multicolored fish in an azure tropical lagoon. And you know what? You’re exactly right! HAHAHAHAhahahahahaaheeeeeheeeee…..

Ahem. Sorry. The weather has been miserable in the Washington area for the past few weeks — snow, sleet, and Arctic cold — so I am feeling somewhat uncharitable about the fact that we are able to escape it. Pardon my schadenfreude. I will try and make it up to you with some cool photos. Speaking of which —

I hope that my photo reporting from the islands will have a new flavor this time: an aerial one. In preparation for this trip (and because I succumbed to a spasm of self-indulgence) I have purchased a snazzy drone with which I hope to take a lot of aerial photos and videos. The drone itself, for those of you interested in the details, is a DJi Mavic Pro. You can click the name to see all of its wonderful properties, but two of its most important ones for my purposes are (1) it shoots very high quality, rock-steady 4K video and 12 MP still images; and (2) it weighs only 740 grams (26 ounces) and folds up into a little rectangular brick that fits easily into a backpack. It has a 4-mile (7 km) range and can stay aloft for about 25 minutes.

Here are some shots (4 stills and a video) from its maiden flight, only a few days ago. You can tell at a glance that we are not living in a tropical paradise: this is an area called Kent Narrows, at the upper end of the Chesapeake Bay, where the one-word description of the environs is “icy”.

…And here are three minutes of video from the flight:

Cool, huh?

In the sacred tradition of guys anthropomorphizing their favorite toys, I have christened the drone Deneb, the brightest star in the constellation of Cygnus, the swan. Cygnus flies along the Milky Way during the northern hemisphere summer months, so it’s kind of apt. (Astronomical Fun Fact: Deneb, a.k.a. Alpha Cygni, is also one of the most luminous stars in our galaxy, roughly 100,000 times as luminous as the Sun. If it has planets, you could get a helluva tan.)

My good friend, travel buddy, and “dronemate” Steve, whose own purchase of an identical model filled me with envy and techno-lust and ultimately inspired my own purchase, has in Yoda-like fashion chided me for my attachment to ephemeral physical objects. This from a guy who named his drone “Icarus” and recently installed  a 10-foot-wide 4K video display in his living room that plays a continuous loop of swimming jellyfish.  Steve is my hero but I may have to slap him around a little. (If I can reach him: he’s about 6″ taller than me.)

I seem to be digressing. The point is, we are very excited about our return to Hawaii, so watch this space for some eye-in-the-sky photos and videos over the next several weeks. Aloha!

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Aloha, Dammit

Having realized a year ago that winter in Hawaii is nicer than winter in Maryland — a shocker, I know — we have rented the same Kona house as last year and are currently enduring the rigors of the Big Island.

I can feel your skepticism. But there are rigors, or at least there were last weekend, as getting here was a first class pain in the okole (as the Hawaiians say, referring to a body part that is not “neck”). In brief, our journey here involved:

  • A canceled flight from Baltimore to Los Angeles;
  • A rebooked flight that left two hours late;
  • A fire alarm in our hotel in LA, resulting in a hotel evacuation; and
  • A canceled flight from LA to Honolulu.

There was more, but I’ll spare you the details since, being on vacation in Hawaii and all, I am not expecting an outrigger-canoe-load of sympathy. Anyway, we are here for nearly a month, accompanied for our first week by my BFF and former Evil Assistant Angie (she’s still evil, but since I’m retired she’s not my assistant anymore) and her (and our) friend Diana.

Remarkably, despite our tribulations we arrived in Kona only 90 minutes later than originally planned. The island is little changed from a year ago, with two notable exceptions: (1) there has been a lot more rain the past year than in the year before, meaning that many areas are much greener than a year ago, and there is much less haze in the air; and (2) the volcano is in eruption. More on both in a moment.

Our first stop was one of our favorite venues in town, the Kona Farmer’s Market. We even recognized some of the same vendors, and the assortment of tropical fruits and tourist tchotchkes was reassuringly familiar.



Both we and our friends were anxious to see the volcano, and so we headed there straightaway on Day Two, pausing only in the town of Naalehu — the southernmost town in the US, at latitude 19°N — to gorge on malasadas, the beignet-like treat that is a Big Island specialty. (I wrote about both the town and the baked good in this post a year ago.)

We arrived at the 4000 ft summit of Kilauea in late afternoon, our plan being to stay until dark so that we could see the glow of the lava lake in Halema’uma’u crater. The summit was clear, much less hazy than a year ago, and so the view out over the caldera was striking:


That’s Halema’uma’u in the middle of the scene. For reference, it’s about 1000 ft across and about a half mile away. The steam rising off it is from the lava lake below the rim; it is low at the moment, well below the crater rim and thus not directly in sight. But its glow illuminates the steam at night.

We spent a few hours exploring the park with our friends, walking around on the lava fields and, as ever, marveling at the tenacity with which plant life re-establishes itself after an eruption, like this:


In addition to the lava fields there are a number of fumaroles around the park, and since it was late in the day we were able to enjoy the sight of the afternoon sunlight streaming through the outputs of the steam vents.


By 6:30 PM the sky was darkening, and we were in full darkness by the time we returned to the caldera overlook, to be greeted by these scenes out of Dante:



On Kilauea’s southern flank, about ten miles south of the summit, is the Pu’u O eruption site. This particular site became active 34 years ago and is gradually adding to the Big Island’s surface area: when it is in eruption, its lava stream flows miles downhill to the sea, where it makes a dramatic and steamy entrance. It is possible to get to that site and see the lava flow, but it isn’t easy: you either have to hike 8 miles (roundtrip) over lava, or pay big bucks to hire a boat or a helicopter. Neither seemed practical, so we contented ourselves with the entertainingly hellish view of Halema’uma’u and called it a day.

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